Monthly Archives: April 2015
First of all, I find it hard to acknowledge that I am actually typing a part 2 to anything. I mostly always intend to write a part 2 and just leave it at that. So, yay! I guess… With that out of the way, here below is my recollection of the 2nd half of the concerts from 2014 – a year that proved to be the best one yet for both quality and quantity of concerts.
12. Fleetwood Mac at United Center in Chicago, IL: What do you know? Never thought I would see this band Live ever in my life and I now got the opportunity to do so twice within a year. This time Christine McVie joined the group and the lineup was complete. All the songs I had longed to listen to Live – all of them – I finally got to do so. Everything from ‘Over My Head’ to ‘Say you love me’ to ‘Everywhere’ to my personal favorite ‘Little Lies’. Christine sounds fabulous Live and Lindsay Buckingham is such an under-rated guitarist. Mick Fleetwood is up there with the likes of George Clinton and Mick Jagger – people who are simply incapable of understanding the idea of growing old! Last time I saw the band, I wrote that this was a band which had nothing left to prove. And now with a second massive tour within a year, these people who are in their 50’s, 60’s, and 70’s, are showing the world that passion and energy defies age. I am just glad to have been here to witness that.
13. Creedence Clearwater Revisited at Downtown Denver, CO: Absolutely accidental and free concert that I had not planned in any way. Come to think of it, I didn’t even know that half the original band was touring with a new vocalist and guitar player under the same acronym. I essentially just happened to be in downtown Denver on the first day of my solo vacation exploring Colorado.And that was also the day they had a food festival going on with CCR as the headlining group for the musical entertainment. Me. Not. Complaining.
Any apprehensions I had about the vocalist was easily put aside. John Fogerty himself couldn’t have done any better. It was about a 90 to 100 minute show that featured all their best hits – ‘Born on the Bayou’, ‘Proud Mary’, ‘Have you ever Seen the Rain?’, ‘Fortune Son’, and a 20 minute rendition of ‘I Heard it Through the Grapevine’ that included a bass solo and a drum solo. What a way to start my Colorado vacation!
14. Seun Kuti at Englert Theater, Iowa City, IA: If you know Fela Kuti, you probably figured that Seun Kuti was one his 10,000 sons from his 1,000 wives. If you don’t know who Fela Kuti is, you WILL find out. Wait. You are still reading this? Go Google Fela and make your life worthwhile. Anyway, with Fela dead and everything, I was making a remark to my close friend (same guy who strongly suggested Ziggy Marley and who also helped me discover Fela) that we may never get to see an Afrobeat concert ever. And right next week, we found ourselves front row to see Seun Kuti. I regret I was not sufficiently inebriated for this adventure but it was still a memorable show. I was mostly glad to just be able to attend an Afrobeat show. And that it was Fela’s son made it a huge bonus! Fairly similar music and style as his father, Seun Kuti had still carved out his own identity from his music. I clearly remember everyone dancing the entire time at the show – never a dull moment in Afrobeat!
15. Handsome Family at Englert Theater, Iowa City, IA: No TV show had got me captivated to an extent that The Wire did a few years back. Damages and Breaking Bad came close but still lacked that final punch I longed for. In came True Detective. I felt that punch right the first time I heard that opening track by Handsome Family. I still cannot think of a better song that would set just the perfect mood for the show than ‘Far from any Road’ by Handsome Family. I was an instant fan. The show at Englert Theater was particularly unique as the audience was seated ‘on stage’ with the band occupying a smaller portion of the stage. It was as close as I would ever come to an Unplugged concert – except I was probably even more close to the band here. I do not believe a more intimate setting is possible for a concert. In any case, they played everything from ‘Sister’s tiny hands’, ‘Bottomless Hole’, ‘Giant of Illinois’ and of course ‘Far from any Road’. Before they played the True Detective song, the band remarked something along the lines of: “Before True Detective, nobody really knew us. Now we can afford shoes!” It was perhaps an exaggeration – both of the state of not-so-popular musicians and the impact of a primetime HBO show feature can have on a band – but it definitely showed the couple’s (yes they are husband and wife) passion to just make dark and depressing songs. After the show, I was able to personally thank them for making such dark and depressing themed songs. They are a great sounding alternate country band and you should definitely check it out. ‘Through the Trees’ would be the album I would start with.
16. King Crimson at The Vic in Chicago, IL: If someone had asked me if I would ever see King Crimson Live about a year ago, I would have placed a sizable bet against it happening. There was simply no way a band that started in the 1960’s, progressed through the decades with an ever changing lineup and whose frontman was close to 70 years old could ever reform again – let alone hold a multi-continental tour. But, they did just that – AND they had Gavin Harrison in the drumming department. No fuckin’ kidding! The show was more of a symphony than a concert. The kind of symphony wherein a group of highly highly highly highly highly highly talented and skilled musicians played some of the most intricate pieces in rock history in a manner only those present could appreciate – and feel blessed. Yes. I wanted them to play a bunch of songs that I liked from the KC era that I was familiar with. I suppose they did. But that took a backseat to just the sheer awesomeness of their musicianship. There have been very very few times that I have been left in awe to that extent when it came to musical concerts. I have been to many Indian classical music shows where the coordination and skill displayed by the musicians is impeccable. And this seemed to surpass even that. The highlight of the show was clearly the band playing ‘Lark’s Tongue in Aspic’ – both parts. With 3 drummers on stage, the coordination and timing had to be spot on – and it was more than just spot on. Gavin Harrison’s drum solo will always be remembered. Robert Fripp essentially just sat in a chair all show looking at a screen scrolling music notes and played the guitar to perfection. Jakko Jakszyk was the vocalist for the touring band and he did a great job at channeling the angst in the show ending ’21st Century Schizoid Man’. Perhaps the only man even trying to put on a show was Mel Collins on his sax. But all this doesn’t seem to matter when one is enveloped by a quality of music that is simply too audacious even to attempt to play Live. It wouldn’t have mattered if you knew who or what King Crimson was. If you had just showed up, the band would have still blown your mind away.
As a side note, I have to mention that I was easily the youngest guy in the whole theater. I was younger than at least half of the median age of the rest of the crowd. I was sitting between two old men who were discussing their experiences of seeing KC Live on their tour in the 70’s. I suppose music does transcend barriers. But am also left to wonder if the next generation will ever even know who or what King Crimson is.
17. St. Paul and the Broken Bones at Wooly’s in Des Moines, IA: Southern soul music has never been a genre that made me feel like I should explore. SPBB changed all that one day when I heard ‘Call Me’ on the radio in my car. The only thought in my head as I heard it was ‘I need that CD and I need it right fuckin’ now!’. And I got the CD within an hour and listened to it on a loop for god knows how long. My friend described the singer’s voice as ‘He opens his mouth and Ottis Redding comes out!’ and he is absolutely right. Great voice from a lead singer who was brought up to become a Pastor/preacher. And you can see it in his Live performance – it really did look like he was preaching his songs to the crowd. But the reason I fell in love with this band was mainly due to the bassist. There was such an intense moment of inspiration for me when I heard through their album, that I picked up my bass and started playing it non- stop till my hands couldn’t take it any more. And I hadn’t played my bass for over 4 months at that point. I met the bassist outside the venue and was talking to him. He told me that him and the band members try to listen to new music all the time – to keep feeling inspired. And I responded to him by saying, ‘Well, just know that it is now you who are inspiring others with your music.’
18. Pearl Jam at Pinnacle Center in Lincoln, NE: I would pay to watch Eddie Vader SPEAK in a Live setting. So when the band played for close to 3 hours and over 25 songs, everything was a bonus. ‘Black’ has always held a close spot in my life. And I have discovered other gems as I have explored their other albums. The concert itself was not what I had hoped for – mainly because I got seats in the nosebleed section.
That pretty much set a bar on how great my experience would be. No complaints about the sound, but there is only so much one can enjoy seated at the back and top of an indoor arena. I believe there is one more Pearl Jam album in the works in the near future and another tour as well. Will make sure I make amends during that tour.
19. Amon Amarth at Wooly’s in Des Moines, IA: I will openly admit that heavy metal as a genre in itself is a ship that sailed a long time ago. I will fondly remember headbanging to a lot of metal bands in my adolescence but I am past that phase now. I still do go to metal shows if there is a familiar band playing in town. But that is pretty much it. I had never put in the effort to actively explore unfamiliar metal bands. Amon Amarth proved to be an exception. I started listening to the band only after I came to know that they would be playing in town. And I am extremely glad that I put in the effort to listen to them. This is a band whose ‘metal’ aspect of their music is purposeful and direct – and not present just because they are a heavy metal band. Their riffs and hooks complement that metal sound. And I was an instant fan. The concert was high energy and never a dull moment. I found myself headbanging and jumping around like I hadn’t done in ages. The lead singer even humored the crowd by asking them to repeat the lyrics after him, and then proceeded to say “This is death fuckin’ metal! It doesn’t matter what the lyrics are!” and then ripped straight into the chorus of Pursuit of Vikings!
I have to note that there was a certain spark of inspiration in me when the band played Pursuit of Vikings and Runes to My Memory among many other of their best songs. I truly felt alive in those moments. And that was when I realized that of all the genres of the bands I go to watch live, heavy metal is still the one with which I feel the strongest and the most raw connection. Perhaps I should start listening to metal again after all.
20. Trombone Shorty at Wooly’s, Des Moines, IA: Never heard of him before I learnt that he was playing in town. The band was the main act for the show with St. Paul and the Broken Bones. But it didn’t matter one bit after the band took stage. The quality and upbeat nature of the music was more than sufficient to make it a great show.
21. Antemasque at Majestic Theater, Detroit, MI: I was heartbroken when I learnt that The Mars Volta had disbanded. But I suppose Omar grew tired of putting out only 10,000 albums that previous year and wanted to make more music. So the end result was The Mars Volta reformed under a different name and with a different sound – with Flea on bass no less. No prog rock anymore, just straight up infectious punk. It appears that Cedric’s voice is something that suits punk just fine. And with Omar’s minimal guitar riffs, this is a surprisingly easy to listen record with a lot of great hooks. The show was high energy – with most of the energy coming from Cedric who was pretty much in his own world. Except perhaps for that one time when he had the bouncers kick a couple of idiots in the crowd out of the show. I was just glad that I got to see Omar and Cedric back together and making music and playing concerts again. It doesn’t matter under what name or what genre they make their music, because the quality is always going to be there.
22. Future Islands at Wooly’s, Des Moines, IA: One more band I wasn’t familiar with until I learnt that they were going to be in town. Their latest album SINGLES is what introduced me to the genre of synthpop. It was also one of the albums I listened to plenty of times during, and which set the mood for, my solo Colorado trip. The show was fabulous with their enigmatic frontman showing the crowd why he is considered one of the best at putting on a show. ‘Like The Moon’ is one of the top 5 songs I discovered in 2014. Minimal beats and a haunting bassline with dark vocals and great melody. Will be watching the band again in 2015.
So there it is. My best year so far for concerts. My schedule for 2015 is building up slowly but I don’t think it would ever get near or surpass 2014. Steven Wilson, Wilco, Tame Impala, TV on the Radio, Weezer and more area already on the books and hopefully more will get added on.
Clearly, this is becoming an annual event for me: recollecting and reliving the highlights from the previous year. This post may be 4 months late, but this is me not being concerned about it. 2014 was the best year for me so far with regard to concerts. The quality and quantity of concerts was so good that I even contemplated writing a mid-year review just so my annual post wouldn’t get too long. Since that did not happen, here we are gain. I am still splitting this into two posts. In any case, this is still a long post below – and only because I have so much to recollect and say.
1. Wolf Eyes at Mission Creek Festival, Iowa City, IA: My first true noise concert. This was held in the basement of the Yacht Club in Iowa City and started at 1 AM. The stage was about 8′ X 5′ and about 1 ft off the ground level. The crowd (including me) was exactly 3 ft away from the band. And I was also about 2 ft from the blaring speakers. The music (if you can call it that) of Wolf Eyes grew steadily in cacophony as their set went on. The noise of the guitar, the energy and intensity of the guitarist and vocalist (both of whom were jumping around so hard that they kept bumping into each other), and just the image of the noise-maker (that’s what I will call him) having a soundboard for a fanny pack and a gas mask on his face was sufficient to make my night. Their best song (again, if you can call it that) was their last one when all they did was create a 20 minute ‘jam’ with noise of all types and intensities. By the time that last jam hit its climax, I had an extremely strong urge to take the nearest chair and start smashing everything around me with it. And the fact that I couldn’t do so will remain as one of biggest regrets of my life. Such is the power of the music (again, if you can call it that) of Wolf Eyes. And it is a compliment to their art in as much as how it made me feel that night.
And if you have no idea what I am talking about, here is sample Wolf Eyes song (again, if you can call it that):
And here is a pic of the noise-maker with the world’s most awesome fanny pack.
2. Warpaint at Mission Creek Festival, Iowa City, IA: I watched this band under strange circumstances. I essentially thought it was the opening act until I found out otherwise the next day. I fell in love with their sound instantly – not having heard any of their songs before. This is the band that essentially introduced me to dream pop. A 4 piece all-female lineup with great bass sounds, haunting vocals and a sound that I had been seeking all my life without even knowing it. This is one of the few times you fall in love with a band after you hear their music for the first time – and that too in a live setting. Become a big fan of them since then and have their double LP on vinyl now!
Shout out to other Mission Creek acts including Circuit des Yeux (a one-woman project of something I cannot define but which I keep find crawling under my skin) and Earth (guitar drone, and then more guitar drone).
3. Eric Johnson at Wooly’s in Des Moines, IA: An hour and a half of great guitar work from one of the most well respected guitarists in the industry. Some of his songs brought back great memories of me sitting in my hostel room with His Holiness and my roommate and listening to Cliffs of Dover. I have never had much respect for guys like Yngwie Malmsteen who mostly just exhibit their shredding abilities. Sure that is a skill to admire but nothing ever comes out of it. Eric Johnson is at the other end of the argument – a man who CAN shred but does so when it makes the songs better. His focus is first on melody and harmony – not on showing off his skills. On stage, he was a very affable character who revealed that he was actually born in Iowa and that his grandma still lives here.
4. Mogwai at Wooly’s in Des Moines, IA: When my cousin first made me listen to Mogwai under certain ‘elevated’ conditions, I just hated the band. I didn’t want anything to do with it ever again. A year later, I gave the band one more chance and bought their ‘The Hawk is Howling’ album. Since then, there was no looking back. The sound of Post rock is pretty much epitomized by Mogwai. And so I was all smiles when I learnt they were going to be playing at Wooly’s. I particularly fell in love with their then latest album Rave Tapes and was listening to it on a loop for the longest time. No Medicine for Regret still stands as my personal favorite of the band’s entire catalog. They did not play that song at the concert but there was one moment of true inspiration that I will always remember. It came at about the 1 min mark when the song’s chorus (if you can call it that) just begins. I had listened to that song dozens of times by then. But that moment when the band reached that note LIVE and that transition into the chorus happened, I went into a different world. And I didn’t even need to be high. Of course, the highlight of the evening for me was ‘I am Jim Morrison, I am Dead.’ Very satisfying to see them Live.
5. Envy Corps at Wooly’s, (and 8035 Music Festival) Des Moines, IA: A Des Moines/Ames based band that you never have and would never hear of (unless you are reading this now). The lead singer would easily win the ‘Sounds Like Thom Yorke’ contest – even if Thom Yorke himself participated in it. The band’s It Culls You album is probably their best and deserve so much more credit than they are are currently getting. One of my best discoveries from last year. Ended up seeing them twice last year. Would do so again at the first opportunity.
6. Guided By Voices at Wooly’s, Des Moines, IA: I had never been to a punk concert before. And I was not familiar with the band either. But I decided to check it out. In the end, this was the longest concert (over 3 hours with 3 encores) I had ever been to. There is something authentic about a band with 50+ year old members play a straight up punk show with high energy – especially as the singer consumed a full bottle of Jack Daniel’s on stage during the show. It was probably the attitude that made it a good show. I will probably never invest in exploring the band as such but I was just glad I went to the show.
7. Cake at 8035 Festival, Des Moines, IA: When the lead singer of a band quotes from xkcd during the interlude of one of the songs, it is something worth remembering for a long, long time. But Cake’s John McCrea had the entire crowd in his complete control even without the help of xkcd. Performing the band’s songs – the equivalent of deadpan humor in movies – you could almost believe he was an evangelical leader preaching to a crowd of eager minds. ‘Sheep go to heaven, goats go to hell’ was perhaps the best example of this. This was perhaps the best portrayal of putting on a great show without having to try too hard.To me personally, the band’s best feature is the bassist and the way he incorporates bass lines with an appropriate groove to complement the rhythm of the songs. Perhaps, one of the other reasons I will remember this concert is because I got to hear a cover of War Pigs where the iconic guitar solo was played with the trumpet.
8. Ziggy Marley at 8035 Festival, Des Moines, IA: I have only listened to reggae music in passing. Always enjoyed it and found it very relaxing, but had never put in the effort to explore it any deeper. But I suppose I was sober all that time I listened to reggae (as pointed out by a good friend and a Ziggy concert veteran). So when Ziggy Marley played for an hour and a half on a hot summer day, I made sure I was sufficiently inebriated. And how glad I was to have been drunk then. So much so, that I now strongly believe that everyone on this planet should get drunk and/or high and attend a reggae concert as a matter of general principle. If it is not on your bucket list, it should be. And if you do not agree, I am OK if you are shot dead right now. In all seriousness, that hour and a half was the most carefree I have been in a long, long, long time. No worries, no concerns, no expectations, no obligations. For that hour and a half, everything was just right and I just knew that I was where I was supposed to be at that point in time. This is not even an exaggeration. I have been to many shows where the music has taken me places. This one just made me believe everything was awesome wherever I already was.
9. Conor Oberst at 8035 Festival, Des Moines, IA: The Ziggy Marley show was followed with Conor (of the Bright Eyes fame). And what a contrast it was. Nothing wrong with the show. Just that the sad and depressing music was in stark contrast with the I-feel-awesome music of Ziggy. Yes, I am a big fan of sad and depressing music, which is why I went into a profound gloom during his show. It was easy too – considering how drunk I was. Good show, I guess. But don’t remember it for the right reasons in hindsight.
10. Portugal. The Man at Brenton Skating Plaza, Des Moines, IA: It had been a while since I encountered an album that had me listening to it for months on end. But Portugal. The Man’s ‘Evil Friends’ filled that void. And that August night in East Village, I had one of the most memorable experiences at a concert in recent history. This concert went from being good to great for the most basic of reasons: great tunes, good performance, and sufficient inebriation. That was it. Songs that you could and wanted to sing along to, dance to, a crowd of people around you with the same intentions- all under the influence of sufficient amount of alcohol. That was all it took. The fact that the band started the show with a cover of Another Brick in the Wall Part 2 and ended the show with Baba O’Reilly ended up just as a bonus. This is a band that I will be following very very closely for the rest of my life (or their’s). And I cannot recommend Evil Friends enough. Special mention to the artwork on the album (I have even framed the album cover from my vinyl).
11. Grouplove at Brenton Skating Plaza, Des Moines, IA: Was not at all familiar with this band, but they were actually the main act when Portugal. The Man played. By the time PTM’s show was done, I was already at a point where everything else was a bonus. But Grouplove did not disappoint. Same ingredients: great tunes, catchy music, great to sing along to (if you knew the songs) and great to jump around or dance to – all with a crowd of fellow inebriated folks.
In part 2 I will be recollecting Fleetwood Mac (full lineup!), Handsome Family, King Crimson (!), CCR, Amon Amarath, Seun Kuti, St. Paul and the Broken Bones, Trombone Shorty, Pearl Jam, and Antemasque.