When I wrote about the concerts I had been to in 2014, I firmly believed that 2014 was as good as it could have gotten, and that 2015 could never really surpass that. I even wrote so in that post. Well, here I am, writing about my 2015 concerts (admittedly late) and being so happy to have been wrong. Thanks largely to my wild wild summer and me putting in those extra efforts to go to see the bands, 2015 ended up exceeding my wildest expectations. I saw about 40 to 50 bands (probably more) in total including some 30 or so of whom I actually wanted to see. So I am going to have to write 4 parts (primarily covering only the bands I actually wanted to see) to this thing to keep the length of the posts manageable. I may even have to skip a few bands but hey that is something I can live with. So here goes:
1. Foxygen at Blue Moose Tap House, Iowa City, IA: This was the first concert I went to in 2015 and it was by far the worst show I have ever attended. I really like the band. Their (then) new album ‘And Star Power’ had some particularly good psychedelic songs (See Cosmic Vibrations). And I was looking forward to see them live. But then this was what happened: The lead singer was very likely coked out of his mind and he was jumping around all around the stage like a madman. That would have been an energetic show in a good way except for the part wherein he rarely, if ever, held the mic near his mouth – essentially making him completely inaudible for most of the show. And when someone in the crowd shouted “I can’t hear you. Sing to the mic!” his response was “This is fuckin’ rock n’ roll man!” – as if the genre he was singing permitted him to be unprofessional on stage. And then just when I was getting into the groove of the show, it was over. It lasted just about 40 minutes and the band left the stage abruptly.
So here are my two middle fingers to your lack of professionalism Mr. Sam France. Rock n’ Roll deserves better than you.
2. Mini Mansions at Wooly’s, Des Moines, IA: This is one of the bands I began to explore after I found out they were playing at Wooly’s. Simple songs (See Death is a Girl, Vertigo) with good hooks and better than average production value. Their entire album is worth listening to on repeat and the songs sounded every bit as good live. It was a 3 piece band that remained rather quiet in their performance – which was surprising considering the lead vocalist is the bassist from Queens of the Stone Age. I did thoroughly enjoy the basslines through all their songs; in fact I will go ahead and say that that is their strength. Having said that, I did always feel that their self-titled album was not just a good album, but more of a missed opportunity to be a great album. So here is to hoping they make an even better one next time!
3. Royal Blood at Wooly’s, Des Moines, IA: This band was actually the main act with Mini Mansions the opening act that night. Can I just say that they blew my mind? Yes I could, and that would be an understatement. To start with, this is just a 2 piece band. Drummer and vocalist who also plays this bass guitar that also somehow, by magic, plays the lead (or is it the other way round?). No kidding. A weird set of pedals and other mysterious objects let him play the lead and bass at the same time. The riffs that come out of this monstrosity of an instrument reminded me of Led Zeppelin when they were at their best. Not just in the sound, but more in the attitude and rock-out-ability (whatever that means). Add to this, meaningful melody and lyrics that make you want to just get up and punch someone (I got a gun for my mouth and a bullet with your name on it; But a trigger full of heartbeat pulling from an empty pocket) – and all this makes the perfect potion you want to drink just before you go to war. The duo put on a high energy show too and everyone at Wooly’s left feeling energized and clearly ready to punch someone in the face!
4. Grace Potter at Brenton Skating Plaza, Des Moines, IA: I am just going to go ahead and say it: Grace Potter is the best performer I have seen in my entire life. She will probably continue to be a mid-size venue filling and late afternoon festival spot filling artist for the rest of her career. But that will never tell the full story of the quality of the music, the spirit of her lyrics, and most of all, the energy of her shows. This was the 4th time I saw her Live, and was probably the best experience of them all. Couple sufficient alcohol consumption with friends who know all the songs (like I do) and who want to dance the entire night through (like I do) and the stage was set for an extremely memorable night. She debuted her solo stuff but the highlight was always going to be the stuff she did with The Nocturnals. Songs like ‘Loneliest Soul’, ‘Keepsake’, and ‘Turntable’ are the kind that get even the most uptight person in the groove and dancing. I haven’t checked out her solo album, but I am hoping it is as good as ‘The Lion, The Beast, The Beat’. (Good news is that I will be seeing her again this year).
Special shout out to Jessica Lea Mayfield who opened for Grace Potter. She has the second most depressing song I discovered in 2015 (I Can’t Lie to You, Love).
5. Umphrey’s McGee at Brenton Skating Plaza, Des Moines: A friend of mine (who has lost count of number of times he has seen UM Live) had been continuously suggesting me to watch them Live. One fine day last year I did. I almost didn’t, but then I found 2 willing friends and I did. They played for over 3 hours with about a 20 min break in between. What I realized was that it didn’t matter if you have never heard them play before or haven’t heard their name. Their music was just phenomenal, and the light show was on par with the music. They even covered David Bowie’s Let’s Dance (well before he passed away). It is a band that you have to go see as a matter of general principle if they are playing nearby. They are playing again this summer and I intend to see them.
6. Steven Wilson at Barrymore Theater, Madison, WI: Perhaps the concert I had been looking forward to ever since I had seen him 2 years before that. He had just released Hand.Cannot.Erase and I totally wanted to see him play live. He did not have Marco (drums) or Guthrie (lead guitar) but he had equally capable replacements. He played the full HCE album interspersed with some of his older solo stuff. The highlight of the show, however, was Routine from HCE. He introduced the song as the most depressing he has ever created, and I tend to agree with that. But what I wasn’t prepared for was the visceral, heart breaking animated video that played on the screen for the entire song. I promise you most of the people in the crowd were either ready to burst out in tears or were already shedding them by the time the song ended. I myself was no exception and I rate that to be one of the most intense experiences of my life. The video wasn’t released online until the end of the year and was only played at his concerts, which preserved the exclusivity of that experience that much longer.*
In addition to HCE, he did play Lazarus, a song that I love and one that he hadn’t played when I saw him play with Porcupine Tree in 2010. So that closed the circle on that in some way and I was truly happy. He also played Sleep Together, another PT song, but I cannot remember if he played that in 2010. I do wish he would play more from The Raven.
The thing that did pleasantly surprise me was that he engaged the crowd frequently and on things he had something to say about. He spoke about making depressing music (“…as opposed to what else?”), accepting grief and loss, his new signature guitar, and even singled out a group of people he had spotted at the previous show (“You realize it is the same shit every night right?”). I had taken a friend of mine who had never heard about him to the show and he was mightily impressed. It was best encapsulated with his first comment as soon as we got out of the venue: ‘I need a drink’!
* I did see SW again this year in Chicago and it was only then that I saw the Routine video for the second time even though I could have seen it online by then. In any case, the 2016 show led to a series of events I couldn’t have imagined in my wildest dreams.
7. Lake Street Dive at Simon Estes Amphitheater, Des Moines, IA: I think this is a jazz band. There is jazz for sure, but there is some indie rock in there as well. So call it what you want. But there is no denying that voice will capture your attention anytime you hear it, and more so when you hear it Live. The band played a stripped down version of their instruments because of some unknown reason, but that barely seemed to matter at all. The band could have been non existent and then just the vocals would have been just fine. They played most of the songs from their ‘Bad Self Portraits’ album except for the one that I believe is their best song (Just Ask). But hey they covered Hall n Oats’ Rich Girl, so that was awesome! Also, did I mention about that voice?
And I am seeing them again this summer!
8. Electric Six at Vaudewille Mews, Des Moines, IA: I dare anyone to listen to Electric Six play High Voltage live and not be jumping around for the entire duration of the song. Come to think of it, pretty much all their songs are like that – which meant I was jumping around for pretty much the entire duration of their show. (Actually listening to that song right now as I write this at a coffee shop, I just want to start jumping around right here!) I had listened to their songs only in passing and found them to be rather upbeat intended to make you get the fuck out of your couch and do something – preferably along the lines of smashing something within immediate reach. When played live, however, that smashing-things-around-you turned out to just be the baseline. The only way the crowd could express their energy was by jumping around or headbanging. I chose the former. And I honestly do not remember a single concert where I was jumping through the whole damn show. I am fairly certain I do not possess that energy and which is why I was surprised to find myself do just that at that show. Now if only I could go to an Electric Six show every morning, I would probably end up that much more productive at work.
Well at least they are playing again this year, so once a year is good enough I suppose!
Next part will include my experience at the 8035 and Hinterland music festival: Wilco, Weezer, Lettuce, TV on the Radio, St. Paul and the Broken Bones, Brandi Carlisle, and many more.