Category Archives: Music
It has finally happened. I have written a Part 3 to something! This in itself is cause for celebration. But I digress. Here is a quick summary of the bands I saw at 8035 Music Festival and Hinterland Music Festival in 2015. Two good festivals, but I have to admit I liked Hinterland that much more. So here goes:
17. Wilco at 8035 Music Festival, Des Moines, IA: I remember buying a CD of Wilco’s ‘A Ghost is Born’ from the local record store about 4 years ago. To this day, I believe that is his best album. I love ‘Summerteeth’ and I strongly believe that ‘Yankee Hotel Foxtrot’ is overrated. He is as good as a songwriter and singer as he is a bad lyricist. But my ratings of his albums and his ability to write good lyrics had absolutely no bearing when I saw him play a few blocks from my apartment at the 8035 music festival. For some reason, I had believed that 8035 would be a perfect place for him to play, and that pretty much just happened. I unfortunately do not remember much from the show as I was sufficiently inebriated and all I pretty much remember is just swaying to his music, singing along and having great fun. I do remember he played most of his greatest hits, including some 3-4 songs from ‘A Ghost is Born’. That’s it. I truly do not remember much else. I am glad I got to see him play some of my favorite songs live, but I also do wish I could remember much from it.
18. Weezer at 8035 Music Festival, Des Moines, IA: I have absolutely no idea how long ago it was that I had heard to Weezer last. The ‘blue album’ was good and I had heard a few of their other songs. Good show to sing along to. I remember it was night at 9 or so and my friends and I were just so damn tired that, admittedly, we just stayed at the back of the crowd and had a low key experience of the show. They did play Islands in the Sun and that was good enough for me.
19. Lettuce at 8035 Music Festival, Des Moines, IA: Hands down the best band that played at the 2015 8035! There is something about jam bands and watching them live. It is like driving through the forests of Colorado in Fall. That is just exactly how you must experience it. And Lettuce put on a great show. It didn’t matter if you were familiar with the band or not, you were dancing! They even got a touring singer come out and sing vocals for a few really groovy funk numbers. Definitely the highlight of the entire music festival.
Hinterland Music Festival, St. Charles, IA: A new music festival that was scheduled to take place at the Waterworks park, less than a mile from my apartment had some last minute changes in the venue due to flooding concerns. With the venue moved at the last moment from Des Moines to St. Charles, a small town half an hour down I-35, I was a little bit apprehensive about the venue but it turned out to be just great. And the whole music festival went so well, that the organizers are going to stick with St. Charles for this year’s edition. Works for me!
20. Future Islands at Hinterland Music Festival, St. Charles, IA: This is a band that I don’t think I will get tired of seeing them live. This was my second time, having seen them at Wooly’s in 2014, and it was an even better show. That lead singer can dance. Clearly a ladies’ man (he was even wearing golden color boots), he was sweating and “ready to take all the women to the moon” by the end of the show (overheard at the show). This band really does redefine bass grooves and showmanship. Grace Potter, true to her name, puts on a show with enormous amounts of grace. This man, on the other hand, puts on a show with sheer raw energy and intensity. Regardless of whether you are familiar with this band or not, you WILL be dancing at their show. I also do sincerely hope they starts playing Like the Moon at their shows. I could make an argument that it is their best hidden gem, and it is so good that it doesn’t deserve to be hidden anymore. On a personal note, this band brings back strong memories from my solo vacation to Colorado. I was, after all playing ‘Singles’ for a good part of the 1600 mile drive. FYI, I could start dancing right now listening to them on my earphones in the coffee shop.
21. St. Paul and the Broken Bones at Hinterland Music Festival, St. Charles, IA: Second time as well, having seen them at Wooly’s in 2014. Mr. Paul, the lead singer, really is the Ottis Redding of this generation. And the band’s basslines will always remind me that I love playing the bass guitar. They played an hour long set at the festival in the sweltering 95 degree heat, AND they did so wearing full fledged suits! I think they did a bit of sweating. But this band is one of my favorite bands and they introduced me to a genre I didn’t know existed and I love. ‘Half a City’ is a great debut album and I am looking forward to an even better sophomore. And then some more shows!
22. Madisen Ward and Mama Bear at Hinterland Music Festival AND Vaudewille Mews: That is right. I saw this band twice last year, and it is right at the top of bands I discovered in 2015. This is a mother and son duo who play folk music. I have not been naturally attracted to folk music like I have been to so many other genres. I had always felt that most bands focus more on the sound of folk music than on the melody of the songs. Which is why I fell in love with MW first time I heard Silent Movies. But Silent Movies was just one of the 12 beautiful and melodious songs on their debut album ‘Skeleton Crew’. In fact, it was also an anomaly, as it seemed to be a rather happy song. Almost every other song on their album is the kind of song you listen to just before you throw yourself off a cliff. I could go one step ahead and say that listening to them when you are feeling gloomy can make you feel that the ‘jumping off a cliff’ part is actually a reasonable idea. Perhaps, at this point, I should point out that the most depressing song I heard in 2015 was from ‘Skeleton Crew’ and it is Dead Daffodils. Yes, I know just the name of the song can make you feel like giving up on life altogether. The song will make sure you do just that.
As far as the shows went, I have to admire the old woman’s passion to travel so much and have all that energy at that age to play so many shows in a year. At the Vaudewille Mews show, she played a haunting, stripped down version of Fleetwood Mac’s Dreams and Ben E King’s Stand By Me. The VM show was a very intimate one and I was right in front of the band. And this really is a band that one should watch in an intimate venue. Madisen Ward has a beautiful voice that seems to be singing in the most appropriate genre and melody. Down in Mississippi will always be a highlight at their shows just because of the power of MW’s voice and the spell that it casts on the audience, captivating them completely. And that effect is amplified best at an intimate venue.
I am hoping to catch them again in Kansas City this July. It won’t be at an intimate venue, but it will do just the same. And I will definitely be on the lookout for their sophomore album.
23. TV on the Radio at Hinterland Music Festival, St. Charles, IA: Take David Bowie, mix it with copious amounts of Nine Inch Nails, then add some Prince for good measure, and you might just begin to envision how TVOTR sounds like. ‘Seeds’ is the best summer album I have heard since ‘Evil Friends’ by Portugal. The Man. And with a back catalog that has songs such as Wolf Like Me, Staring at the Sun, this band’s live shows do not disappoint. There is a lot of DJ stuff in their sounds, and a lot of live instruments as well. I don’t mind either way simply because they have created a very refreshing new sound that you can sing along (Happy Idiot), dance to (Lazerray) and even get charged up ready to smash some windows (Wolf Like Me). I also do hope they start playing Right Now – easily the best dance track of their entire catalog – on their shows. ‘Seeds’ is an album I will always associate with the summer of 2015 and everything it felt like. I still do need to properly explore their back catalog and will be on the lookout for their next album/tour. Strongly recommend this band!
24. Brandi Carlile at Hinterland Music Festival, St. Charles, IA: Country music has always been at the wrong end of my taste spectrum. I have always felt that mainstream country has its focus more on song structure, sound and lyrics and not much on creating new melody (kinda like blues too). Brandi Carlile is one of the exceptions and I fully enjoy her music. Her show was high energy with the entire crowd singing along to most of the songs. But I have to admit, the highlight of the show when she got the members of the Old Crow Medicine Show join her on stage to play a bluegrass version of Led Zeppelin’s Going to California! She poured her heart and soul into singing the high pitch portions of the song, and it was truly impressive and powerful! That’s when it hit me that here is a bluegrass band and a country singer covering a rock n’ roll classic by Led Zeppelin. I suppose all is well with mankind after all. I am looking to see her in concert this month (June) again in Des Moines, and I know I won’t be disappointed.
Honorable mention to Old Crow Medicine Show and a not so honorable mention to Edward Sharpe and the Magnetic Zeros (Edward Sharpe was drunk and high and could barely get himself to sing to the most basic standards. Shame on him for such lack of professionalism).
It appears that I am now able to actually conjure up Part 2 of a post, as opposed to simply intending to do so. So here is the Part 2 (of 4) for reviewing the concerts i went to in 2015 – the best year on record for me. Part 1 can be found here.
9. Tame Impala at Uptown Theater, Kansas City, MO: One of the few bands that I have become a superfan of in the past 2-3 years is Tame Impala. Kevin Parker is well on his way to become a truly versatile musician and producer. ‘Lonerism’ was one of the best albums I heard in 2014, and his latest album ‘Currents’ is even better. However, the concert was scheduled prior to the release of his latest album (a practice I am not particularly a big fan of). So even though he did play Let it Happen, Eventually, Cause I’m a Man (he did NOT play The Less I Know the Better), I was not familiar with them. But he did play most of ‘Lonerism’, so that pretty much got me my money’s worth. In fact, it made up for the last time I saw them Live and missed half their show.
I have to admit this was the most ‘psychedelic’ show I had ever been to. The visuals, of which there were plenty, pretty much consisted of hypnotic wheels, laser beams generating abstract images, and pretty much just dope shit. I suppose that is the kind of stuff one sees when they are on shrooms, but I wouldn’t know (gotta fix that!). Quite fitting the band’s music for sure. I am definitely looking forward to seeing them live again when they play their new album – especially now that I know it inside out!
10. Dave Matthews Band at Wells Fargo Arena, Des Moines, IA: I got on the DMB wagon way way late. In fact I got on it so late, that I found out many people who were on it had gotten off it! I eventually learnt that his group of fans were the kind who get overly obsessed with the man – to the point where they know every single song he has made, and also believe that he can do no wrong. This would typically generate a hype among his super-fans that could appear manufactured for the non-super-fans. And I can totally see why this could be putting off for folks who do not want to be identified with the super-fans. As far as my own discovery goes, I had no clue about the overly obsessive mindset of his fans. I just happened to buy ‘Crash’ at a sale and proceeded to listen to it, and I loved it. Then I listened to ‘Busted Stuff’ and then to ‘Under the Table and Dreaming’ and loved all of it. Then I found out he was playing in Des Moines and went to the show with a friend. I still listen to him and will continue to do so and go to more concerts if I can.
Now about the show: I will go ahead and say it – DMB is in the top 3 shows I have ever seen in terms of pure musicianship. The other two being Steven Wilson and King Crimson. In fact, it is probably safe to say that Dave Matthews was the worst musician on stage. And the fact that that is a compliment should indicate how good his bandmates are. (I could easily say that about Steven Wilson as well). The band first played an acoustic set with Dave looking remarkably sober (to which my friend reacted “I didn’t pay all this money to see Dave play sober!”) and then played an electric set (with the ‘sober problem’ quite evidently fixed during the break). This being my first DMB show, it was truly fantastic to see how the whole crowd seemed to know the words to each and every song that he played. (Super fans indeed!) And with such a huge back catalog, the band plays a different set every night, preserving the element of surprise (or disappointment) for everyone.
With that being the state, I was pretty satisfied with the final setlist. He played most of my favorites #41, What would You Say?, Ants Marching, Space Between and, of course, Grey Street. Sure I would have loved for him to play Satellite and Jimi Thing, but hey there is always another time. Overall it was a very energizing experience being around such passionate fans jumping and singing and screaming all the time – something I will remember more than just fondly. And I truly mean it when I say I had no business being there in the first place – unstoned. Gotta definitely fix that next time! And trust me, there WILL BE a next time!
11. Esperaza Spalding at Wooly’s, Des Moines, IA: I like to play bass guitar. Esperaza Spalding plays bass guitar, and she is pretty good at it. That was pretty much the reason I went there. And she did not disappoint. Now imagine how well you can recite the English alphabet. Pretty easy right? Perhaps something that you can just play around and still get it right and not even put in any effort at all. It’s like you just own the whole act of reciting the alphabet. Playing bass is Esperaza Spalding’s equivalent of reciting the English alphabet. It was not just her skill I was impressed with. It was the fact that she made it look so god damn easy that blew me away. I just cannot emphasize that enough. She not only made the bass guitar sing, she also made it dance, headbang, clap, jump up and down and just make the crowd completely forget that it was just nothing more than a god damn bass guitar. Lots of funk, some reggae, some rock, and lots of jazz and a whole lot of fun! I may not explore her music separately but will definitely be going to see her live again if I get a chance!
12. Shania Twain at Wells Fargo Arena, Des Moines, IA: My one true guilty pleasure, and honestly I don’t think I would even think twice about calling it guilty. ‘Come on Over’ was one of the first albums I fell in love with back in high school. My friend and I were totally looking forward to this for months together. Unfortunately, the timing of certain events led to me just go there by myself. I have to admit I couldn’t enjoy the show as much as I had anticipated I would due to the circumstances, but I did see her play all the songs I wanted her to – Man! I feel like a woman!, Don’t be Stupid, Rock this Country, From this Moment on, You’re still the one, I’m gonna getcha good!, and of course, That Don’t Impress me Much! This was probably her last tour, so I am glad I got to see her. The venue was packed to capacity and I have to admit I was surprised to find a lot of dudes – much more than what I had expected!
13. The Aristocrats at The Gaslamp, Des Moines, IA: The Aristocrats is a band that consists of Marco Minneman, Guthrie Govan (both of whom play for Steven Wilson’s band) and Bryan Beller. I had missed out on watching Marco and Guthrie play with Steven as they were doing their own thing with The Aristocrats. But no worries. The band decided to play at The Gaslamp! (First reaction when I heard about it: “Wait, what? The fuckin’ Gaslamp? If I tried hard enough, I could get a gig for myself there!”) It is an almost dive bar with a makeshift stage and a room with a capacity of about 100 max, and it is just about 2-3 blocks from my apartment. And The Aristocrats played here. It was surprising to the point of being plain ridiculous. But it did happen, and 3 musicians put up a great show. There was a crowd of about 80 or so and the band played great music – mostly instrumental. It was not a jam band by any means, but a band which use their instruments to play precise songs. Smuggler’s Corridor was my personal favorite (apparently inspired by the Breaking Bad scene where Walt kicks a barrel full of money across the desert). All in all, I was majorly satisfied to see some of my favorite musicians play at the fuckin’ Gaslamp, of all places! Still don’t believe it!
14. Beach House at The Slowdown, Omaha, NE: One of the other bands (after Tame Impala) that I have become a super fan of is Beach House. This band simply makes some of the most depressing, melodious, poetic and ultimately beautiful songs I have heard in my life. I saw them at The Slowdown, which has become my personal favorite venue in all the Midwest – a very intimate place where everyone gets to see and hear the band optimally. Put it the other way round, I would say that Beach House is the kind of band you want to see at The Slowdown.
I cannot praise the band’s Teen Dream album enough. It is one of the most depressing albums I have ever heard and it is an album that I can never simply play in the background. It will always demand my full attention and require an emotional investment every time I choose to listen to it. It is THAT intense. The concert was exactly like that – intense. Nobody in the crowd said a fucking word throughout the show. (It probably helped that the band had the venue paste notes asking the crowd to maintain silence throughout the show). And neither did I. I was more than happy to just shut the fuck up and let the music do the talking. And speak to me it did. Songs from ‘Depression Cherry’, ‘Teen Dream’ and ‘Bloom’ concocted a feeling of great satisfaction and contentment – something that told me that I had everything I ever needed and that it was now time to give something back. And if I am to be very specific and honest, I will say that this was the show where I felt the strongest connection to the band and to the music – something that even led to the minor epiphany during Lazuli. Sure they didn’t play that one song (10 Mile Stereo) that I had believed would push my experience into the plane of higher consciousness. But in the end, they didn’t need to. Wild, Myth, Silver Soul, Walk in the Park, Other People, and Lazuli were sufficient to take me to that other place and gently guide me back to earth.
I will always cherish this particular show. It reminded me of the Sigur Ros show that I saw in 2013 – a spiritual experience that had to be set aside from all the other shows I have been to. I almost decided to make the drive to Lawrence, KS to see them live again the following evening. And next time I just might.
15. Kraftwerk at Arvest Bank Theater, Kansas City, MO: Honest to God, I didn’t even know the band members were still even alive until a couple of years ago. I have had an exceptionally memorable bond with this band. ‘The Man Machine’ was, after all, one of the first albums I fell in love with when I was just a 6 year old kid. I would play the cassette, close my eyes and imagine that I was on a spaceship with the band playing the songs to an ecstatic crowd. And late last summer, there I was, watching the band play their best hits. It may not have been a spaceship, but fuck you, to me it was!
First of all, it was a 3-D show. That is correct. A 3-Dimensional show where the band members stood behind their keyboards in some kind of a glowing space suit (I told you it was a god damn space ship!) and mind-fuck visuals were beamed on the screen behind them in 3D. The crowd were given 3D glasses for the show and the visuals were definitely very creative and detailed. It included a virtual race circuit for Autobahn, a Fritz Lang inspired Metropolis for, well, Metropolis, a bullet train for Trans Europe Express and so on. There was even a sequence during Spacelab where a spaceship landed in a spot that was clearly made to look like downtown Kansas City. And so yes, again, fuck you! I was in a god damn spaceship! (Don’t you dare mess with my childhood dream!)
Seriously, the stage just consisted of the 4 dudes and their keyboards. Nothing else, no one else. And I have to admit it was hard to figure out how much of their music was pre-programmed and how much of it was played live. But I don’t think that really mattered much. The setlist was pretty much their Greatest Hits, with an added bonus of them playing the full The Man Machine album! This included an encore where they played The Robots with 4 actual robots in place of the band members. Pretty cool really. Computer Love, Radioactivity, Autobahn, Trans Europe Express, all their best songs were played that night.
I truly wished it was not a seated show and instead consisted of sufficient amounts of alcohol consumption and general bad dancing and overall merry making in a standing show. But hey, I don’t think I can complain at all. The first thing I did after the show was call up my dad and tell him how exciting it was to see the band that he had introduced me to when I was a kid. I do wish I could have taken him to the show, I know it would have meant a lot to him, but alas, there was this small issue of him being half way around the world from me.
I will always be glad that I got to see the band play live in my, and more importantly, their lifetime.
16. Mark Knopfler at Chicago Theater, Chicago, IL: Mark Knopfler has a very special place in my life. Dire Straits was the first band that I truly fell in love with – well before I discovered Pink Floyd. I knew nothing about the band, but a cassette I rented in my high school became the start of a great bond that I would develop with the music and lyrics of Dire Straits. It was the band that began the ‘mellowing down’ process of my later adolescence, heralding a transition from all things metal to something more nuanced and melodious. I had the opportunity to see him open for Bob Dylan a few years ago in Omaha. But I knew that show did not do justice to his vast catalog and to his own deserved place as the main act. But this one did – for the most part. I am not going to dwell much on the fact that I have never seen any artist be so bored and uninterested in singing some of their own songs as I did with Knopfler singing Sultans of Swing and So Far Away. And the reason I am not going to dwell on it is because of what else he played, and played supremely well.
With every artist, I have a few songs that I truly love. These are not necessarily B-sides but maybe even like C or D sides, so to speak. They are almost never performed live and you will rarely hear them on the radio. I tend to strongly associate these songs with certain emotions, a specific state of mind, a place, a vision from the past, a vision for the then future, a certain someone, a feeling of what could have been perhaps, some regret, an awareness of the desire for a different set of outcomes in the past, and some inevitable, leftover hope for the future. And it has typically been an unfulfilled hope to see these songs played live. So when Mark Knopfler played two of those songs – On Every Street and Your Latest Trick – it actually took me a few seconds to figure out what song he was actually playing. I hadn’t heard them in years in an apparent attempt to isolate and box all the feelings, emotions and memories that came with it. And I had been largely successful at it too. Because when those memories came flooding back to me at the Chicago Theater, they were all firmly in hindsight; and I was looking back with a sense of sympathy and mature acknowledgment, instead of nostalgia and regret. It was a powerful experience being there and watching him play those two songs that captured so much of my later adolescence so deeply.
In the end, it almost became that everything else was a bonus. But that would be not only unfair, but also plain incorrect. Romeo & Juliet, Paraguay, Privateering, and Theme from Local Hero all stood out on their own. And at the end, I felt that I had finally laid to rest a longing from my adolescent days to see Mark Knopfler live and to see him play those songs that could have very well been the soundtrack to those times.
When I wrote about the concerts I had been to in 2014, I firmly believed that 2014 was as good as it could have gotten, and that 2015 could never really surpass that. I even wrote so in that post. Well, here I am, writing about my 2015 concerts (admittedly late) and being so happy to have been wrong. Thanks largely to my wild wild summer and me putting in those extra efforts to go to see the bands, 2015 ended up exceeding my wildest expectations. I saw about 40 to 50 bands (probably more) in total including some 30 or so of whom I actually wanted to see. So I am going to have to write 4 parts (primarily covering only the bands I actually wanted to see) to this thing to keep the length of the posts manageable. I may even have to skip a few bands but hey that is something I can live with. So here goes:
1. Foxygen at Blue Moose Tap House, Iowa City, IA: This was the first concert I went to in 2015 and it was by far the worst show I have ever attended. I really like the band. Their (then) new album ‘And Star Power’ had some particularly good psychedelic songs (See Cosmic Vibrations). And I was looking forward to see them live. But then this was what happened: The lead singer was very likely coked out of his mind and he was jumping around all around the stage like a madman. That would have been an energetic show in a good way except for the part wherein he rarely, if ever, held the mic near his mouth – essentially making him completely inaudible for most of the show. And when someone in the crowd shouted “I can’t hear you. Sing to the mic!” his response was “This is fuckin’ rock n’ roll man!” – as if the genre he was singing permitted him to be unprofessional on stage. And then just when I was getting into the groove of the show, it was over. It lasted just about 40 minutes and the band left the stage abruptly.
So here are my two middle fingers to your lack of professionalism Mr. Sam France. Rock n’ Roll deserves better than you.
2. Mini Mansions at Wooly’s, Des Moines, IA: This is one of the bands I began to explore after I found out they were playing at Wooly’s. Simple songs (See Death is a Girl, Vertigo) with good hooks and better than average production value. Their entire album is worth listening to on repeat and the songs sounded every bit as good live. It was a 3 piece band that remained rather quiet in their performance – which was surprising considering the lead vocalist is the bassist from Queens of the Stone Age. I did thoroughly enjoy the basslines through all their songs; in fact I will go ahead and say that that is their strength. Having said that, I did always feel that their self-titled album was not just a good album, but more of a missed opportunity to be a great album. So here is to hoping they make an even better one next time!
3. Royal Blood at Wooly’s, Des Moines, IA: This band was actually the main act with Mini Mansions the opening act that night. Can I just say that they blew my mind? Yes I could, and that would be an understatement. To start with, this is just a 2 piece band. Drummer and vocalist who also plays this bass guitar that also somehow, by magic, plays the lead (or is it the other way round?). No kidding. A weird set of pedals and other mysterious objects let him play the lead and bass at the same time. The riffs that come out of this monstrosity of an instrument reminded me of Led Zeppelin when they were at their best. Not just in the sound, but more in the attitude and rock-out-ability (whatever that means). Add to this, meaningful melody and lyrics that make you want to just get up and punch someone (I got a gun for my mouth and a bullet with your name on it; But a trigger full of heartbeat pulling from an empty pocket) – and all this makes the perfect potion you want to drink just before you go to war. The duo put on a high energy show too and everyone at Wooly’s left feeling energized and clearly ready to punch someone in the face!
4. Grace Potter at Brenton Skating Plaza, Des Moines, IA: I am just going to go ahead and say it: Grace Potter is the best performer I have seen in my entire life. She will probably continue to be a mid-size venue filling and late afternoon festival spot filling artist for the rest of her career. But that will never tell the full story of the quality of the music, the spirit of her lyrics, and most of all, the energy of her shows. This was the 4th time I saw her Live, and was probably the best experience of them all. Couple sufficient alcohol consumption with friends who know all the songs (like I do) and who want to dance the entire night through (like I do) and the stage was set for an extremely memorable night. She debuted her solo stuff but the highlight was always going to be the stuff she did with The Nocturnals. Songs like ‘Loneliest Soul’, ‘Keepsake’, and ‘Turntable’ are the kind that get even the most uptight person in the groove and dancing. I haven’t checked out her solo album, but I am hoping it is as good as ‘The Lion, The Beast, The Beat’. (Good news is that I will be seeing her again this year).
Special shout out to Jessica Lea Mayfield who opened for Grace Potter. She has the second most depressing song I discovered in 2015 (I Can’t Lie to You, Love).
5. Umphrey’s McGee at Brenton Skating Plaza, Des Moines: A friend of mine (who has lost count of number of times he has seen UM Live) had been continuously suggesting me to watch them Live. One fine day last year I did. I almost didn’t, but then I found 2 willing friends and I did. They played for over 3 hours with about a 20 min break in between. What I realized was that it didn’t matter if you have never heard them play before or haven’t heard their name. Their music was just phenomenal, and the light show was on par with the music. They even covered David Bowie’s Let’s Dance (well before he passed away). It is a band that you have to go see as a matter of general principle if they are playing nearby. They are playing again this summer and I intend to see them.
6. Steven Wilson at Barrymore Theater, Madison, WI: Perhaps the concert I had been looking forward to ever since I had seen him 2 years before that. He had just released Hand.Cannot.Erase and I totally wanted to see him play live. He did not have Marco (drums) or Guthrie (lead guitar) but he had equally capable replacements. He played the full HCE album interspersed with some of his older solo stuff. The highlight of the show, however, was Routine from HCE. He introduced the song as the most depressing he has ever created, and I tend to agree with that. But what I wasn’t prepared for was the visceral, heart breaking animated video that played on the screen for the entire song. I promise you most of the people in the crowd were either ready to burst out in tears or were already shedding them by the time the song ended. I myself was no exception and I rate that to be one of the most intense experiences of my life. The video wasn’t released online until the end of the year and was only played at his concerts, which preserved the exclusivity of that experience that much longer.*
In addition to HCE, he did play Lazarus, a song that I love and one that he hadn’t played when I saw him play with Porcupine Tree in 2010. So that closed the circle on that in some way and I was truly happy. He also played Sleep Together, another PT song, but I cannot remember if he played that in 2010. I do wish he would play more from The Raven.
The thing that did pleasantly surprise me was that he engaged the crowd frequently and on things he had something to say about. He spoke about making depressing music (“…as opposed to what else?”), accepting grief and loss, his new signature guitar, and even singled out a group of people he had spotted at the previous show (“You realize it is the same shit every night right?”). I had taken a friend of mine who had never heard about him to the show and he was mightily impressed. It was best encapsulated with his first comment as soon as we got out of the venue: ‘I need a drink’!
* I did see SW again this year in Chicago and it was only then that I saw the Routine video for the second time even though I could have seen it online by then. In any case, the 2016 show led to a series of events I couldn’t have imagined in my wildest dreams.
7. Lake Street Dive at Simon Estes Amphitheater, Des Moines, IA: I think this is a jazz band. There is jazz for sure, but there is some indie rock in there as well. So call it what you want. But there is no denying that voice will capture your attention anytime you hear it, and more so when you hear it Live. The band played a stripped down version of their instruments because of some unknown reason, but that barely seemed to matter at all. The band could have been non existent and then just the vocals would have been just fine. They played most of the songs from their ‘Bad Self Portraits’ album except for the one that I believe is their best song (Just Ask). But hey they covered Hall n Oats’ Rich Girl, so that was awesome! Also, did I mention about that voice?
And I am seeing them again this summer!
8. Electric Six at Vaudewille Mews, Des Moines, IA: I dare anyone to listen to Electric Six play High Voltage live and not be jumping around for the entire duration of the song. Come to think of it, pretty much all their songs are like that – which meant I was jumping around for pretty much the entire duration of their show. (Actually listening to that song right now as I write this at a coffee shop, I just want to start jumping around right here!) I had listened to their songs only in passing and found them to be rather upbeat intended to make you get the fuck out of your couch and do something – preferably along the lines of smashing something within immediate reach. When played live, however, that smashing-things-around-you turned out to just be the baseline. The only way the crowd could express their energy was by jumping around or headbanging. I chose the former. And I honestly do not remember a single concert where I was jumping through the whole damn show. I am fairly certain I do not possess that energy and which is why I was surprised to find myself do just that at that show. Now if only I could go to an Electric Six show every morning, I would probably end up that much more productive at work.
Well at least they are playing again this year, so once a year is good enough I suppose!
Next part will include my experience at the 8035 and Hinterland music festival: Wilco, Weezer, Lettuce, TV on the Radio, St. Paul and the Broken Bones, Brandi Carlisle, and many more.
In the entire history of mankind, the pursuit of the dark and depressing has never been actively encouraged or even accepted. Yet, the most beautiful art ever produced has been the product of artists expressing loss, pain, solitude, anger and a sense of longing. This apparent contradiction between the source of inspiration and the acceptance of its products by society has diminished steadily for me over the past few years. The dark arts have moved from the fringes of what mankind has to offer to being the very lens through which I now view society itself. I feel no attraction or emotion every time I see a Claude Monet painting, but my whole world came to a standstill when I first saw ‘Masks Confronting Death’ by James Ensor.
Art that convey themes of gloom, doom, mortality, depression and that explore the human condition permeate my inner consciousness to connect with me on a very fundamental platform. I could make a case that the dark arts would connect with all of us in the same way, with the end result depending on whether we choose to fight it or embrace it.
As a consequence of my active pursuit of the dark arts, I have been fortunate to discover and experience a few moments of extreme intensity and fulfillment. Most moved me to tears at that moment in time. And all have stayed with me till today (and very likely for good). These are moments I have to think twice about experiencing again – not because I don’t want to, but because I am not sure I am ready to experience that intensity all the time.
It is important to emphasize that a lack of anticipation of what was coming next was critical to these intense experiences moving me to tears. There were no expectations and all I made sure was to not offer any resistance. And I strongly believe that is why they generated such intensity.
So here goes:
1.ROUTINE (LIVE)by Steven Wilson: When I listened to Steven Wilson’s latest album Hand.Cannot.Erase, I already knew ROUTINE was the standout song. The story was perhaps the most depressing Steven Wilson has ever come up with (even comparing it to Drive Home or The Raven That Refused to Sing). The sadness and absolute despair in the voice of Ninet Tayeb is perhaps what pushed this song beyond the realms of normal consciousness. But that was until I watched the video. The CD/DVD that I had purchased did not have the video to the song and it was not released online either. The place I saw it first was when I saw the band Live in Madison. Steven Wilson introduced the song by stating that he had received feedback from numerous people that this was the most depressing song he had ever made (with his response being “As opposed to what?!”). He made no mention of the video on the screen that was to accompany the song. And then this is what I saw on the screen while Steven Wilson and his band played it live:
To say that I was moved by the video would be a gross understatement. I was very much in tears by the end of it. And so was the entire crowd at the show. I will even go to the extent of saying that my inability to completely break down and cry at that point (largely because I was very self conscious there) will remain as something of an unfulfilled void. The video, the live performance of the song and the entire crowd feeling the same emotions – it was the perfect combination of factors that led to this being one of the most intense moments I have ever felt. And this is what Steven Wilson has to say about the video and how he felt about playing it live:
Amongst the hundreds of songs I have written over the years, ‘Routine’ has a very special place. It’s a deeply sad story of loss and denial, but at its conclusion the clouds lift and there is acceptance at least. Having worked with her on 3 previous videos, I knew as soon as I wrote it that it was perfect for Jess to do something amazing with. Even then nothing prepared me for the organic beauty and power of the film she made, a painstaking labour of love that took her months to produce. When we play the song live I look out into the audience and see people swept away with emotion at the combination of music and animation. To find poetry and beauty in sadness is a wonderful thing I think.
The last sentence ties everything together for me. And I urge everyone to listen to the song, read the lyrics and then watch the video. It will give you a sense of fulfillment that is unavailable in the day to day life that we all lead. (On a side note, the video was not released online till late last year, which preserved the significance of the whole experience for me. And I have still not watched it. In fact, my 2nd viewing of the video will likely be when I see Steven Wilson again this March).
2. Roger Waters The Wall (Movie): Roger Waters did The Wall tour between 2010 and 2013 and took the larger than life production all over the world. It is the closest a Pink Floyd fan today will get to experience the tour from how it was in the 70’s. Of course I can always make an argument that it is even better – what with all the new technology available now. I was fortunate enough to watch it Live at Wrigley Field in Chicago in 2012. To this day, it remains the gold standard in terms of a show production. And I highly doubt anyone will ever surpass that.
Roger Waters The Wall movie was part concert footage, and part road trip of the artist driving from his home in England to the beaches of Italy where his father was killed in World War 2. They show the entire concert from The Wall tour with scenes from the ‘road trip’ portion being embedded every few songs. Since I had been to the show myself, I knew what to expect out of the concert portion of the movie. However, I was not aware of what to expect from the road trip portion. I will not spoil a whole lot of the movie here. But will just recall that one specific sequence of scenes that led to me being moved to tears.
In the beginning of the movie, Roger Waters is seen reading a letter (probably for the 1000th time) that his mother received during the war. It is the letter communicating the presumed death of his father in battle. The place of death is specified to be the beaches of Anzio, Italy. He embarks on a road trip to visit the beach and the nearby memorial. Once he reaches the beach, there is a quiet, melancholic moment when Roger Waters just stands on the beach and stares at the sea, the same letter in hand, and with tears flowing down his eyes. The peacefulness of the moment is punctuated with the sounds of the waves washing up on to the shores, and of the birds calling in the sky. One can sense a feeling of acceptance and closure wash over him as he stands there and tries to imagine what happened 70 odd years ago, how he never knew his father, and how that has come to define who he is today. A very moving scene about loss, the futility of war, and a contemplation of all that could have been, but never was.
And then the scene faded into the start of Comfortably Numb.
What can I say? That moment when the scene showing Roger Waters at the beach faded out and Comfortably Numb started playing – that is what I live for. That is the kind of fulfillment that keeps me looking forward to the next day in my life. That transition could not have been planned better. I have listened to that song thousands of time in my life. I know every note, every pause and every word of that song. And I also know exactly where it comes on the album. And I am so glad that the previous scene swept me away so much that I forgot that this song was coming up next. Needless to say, I was moved to tears right at that moment and through the song. I remember that night in Chicago when Roger Waters played that song Live. Everybody just shut the fuck up and just watched in awe. Nobody sang along. And Dave Kilimister played the guitar lead to perfection – without improvising. I suppose there are some songs you don’t sing along to and some guitar leads you do not improvise. Comfortably Numb is one of them.
And sitting in that theater, I felt an overwhelming feeling of satisfaction – of having experienced something truly wonderful and fulfilling.
3. The Line of The Horizon (poem) by Maria Petrovykh: Poems have never been my go-to medium to explore art. Largely because of my aversion to popular poetry themes of nature, beauty, love and social/historical commentary. This aversion unfortunately shielded me from the poems that did deal with themes that I connect with. And it was last winter – in the middle of working outside in the fields of rural Iowa – that I found this poem about old age and death. Mortality is a theme that has led me to numerous bouts of contemplation. And this poem touched a chord in me that I still feel every time I read it.
The Line of the Horizon
Maria Sergeyevna Petrovykh
It’s just how it is, it’s the way of the ages;
years pass away, and friends pass away
and you suddenly realise the world is changing
and the fire of your heart is fading away.
Once the horizon was sharp as a knife,
a clear frontier between different states,
but now low mist hangs over the earth
—and this gentle cloud is the mercy of fate.
Age, I suppose, with its losses and fears,
age that silently saps our strength,
has blurred with the mist of unspilt tears
that clear divide between life and death.
So many you loved are no longer with you,
yet you chat to them as you always did.
You forget they’re no longer among the living;
that clear frontier is now shrouded in mist.
The same sort of woodland, same sort of field—
You probably won’t even notice the day
you chance to wander across the border,
chatting to someone long passed away.
I still vividly recollect my reaction to reading it the first time. Everything around me came to a halt. I forgot where I was and what I was doing there. And all my attention was focused on the words of the poem. And it felt like the last four lines took me across the horizon to give me a glimpse of what lay beyond, before gently bringing me back – wiser and in awe. It was then that I truly understood what Ian McEwan had written about poetry in his book Saturday.
But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill….
Reading a poem that gave me a glimpse of the world beyond, and being able to truly appreciate Ian McEwan’s words in the process, generated an experience that felt like a piece of jigsaw falling into its place. It was like a new perspective gained, or reaching a vantage point that offers a bird’s eye view of the vagaries of life – and watching the horizon get increasingly blurry with the passing of time.
I do not recollect how long I was in that state of mind. But I have gone back to this poem a few times over the past year every time I wanted to get a glimpse of the world beyond. And every time, I have come back wiser and with a newer perspective. But as time passes, I know that some day my trip beyond that horizon will not include a return journey.
I can only hope that in the months and years to come, I have the opportunity to discover and experience an intensity and fulfillment such as the ones I have outlined here. I do believe that as long as I continue to seek, I shall be rewarded. And as this world progresses to an uncertain future, I do hope that society works to break down the perception of the dark arts, and that more and more people gain a sense of wonder and awe that is unavailable in their otherwise routine lives.
First of all, I find it hard to acknowledge that I am actually typing a part 2 to anything. I mostly always intend to write a part 2 and just leave it at that. So, yay! I guess… With that out of the way, here below is my recollection of the 2nd half of the concerts from 2014 – a year that proved to be the best one yet for both quality and quantity of concerts.
12. Fleetwood Mac at United Center in Chicago, IL: What do you know? Never thought I would see this band Live ever in my life and I now got the opportunity to do so twice within a year. This time Christine McVie joined the group and the lineup was complete. All the songs I had longed to listen to Live – all of them – I finally got to do so. Everything from ‘Over My Head’ to ‘Say you love me’ to ‘Everywhere’ to my personal favorite ‘Little Lies’. Christine sounds fabulous Live and Lindsay Buckingham is such an under-rated guitarist. Mick Fleetwood is up there with the likes of George Clinton and Mick Jagger – people who are simply incapable of understanding the idea of growing old! Last time I saw the band, I wrote that this was a band which had nothing left to prove. And now with a second massive tour within a year, these people who are in their 50’s, 60’s, and 70’s, are showing the world that passion and energy defies age. I am just glad to have been here to witness that.
13. Creedence Clearwater Revisited at Downtown Denver, CO: Absolutely accidental and free concert that I had not planned in any way. Come to think of it, I didn’t even know that half the original band was touring with a new vocalist and guitar player under the same acronym. I essentially just happened to be in downtown Denver on the first day of my solo vacation exploring Colorado.And that was also the day they had a food festival going on with CCR as the headlining group for the musical entertainment. Me. Not. Complaining.
Any apprehensions I had about the vocalist was easily put aside. John Fogerty himself couldn’t have done any better. It was about a 90 to 100 minute show that featured all their best hits – ‘Born on the Bayou’, ‘Proud Mary’, ‘Have you ever Seen the Rain?’, ‘Fortune Son’, and a 20 minute rendition of ‘I Heard it Through the Grapevine’ that included a bass solo and a drum solo. What a way to start my Colorado vacation!
14. Seun Kuti at Englert Theater, Iowa City, IA: If you know Fela Kuti, you probably figured that Seun Kuti was one his 10,000 sons from his 1,000 wives. If you don’t know who Fela Kuti is, you WILL find out. Wait. You are still reading this? Go Google Fela and make your life worthwhile. Anyway, with Fela dead and everything, I was making a remark to my close friend (same guy who strongly suggested Ziggy Marley and who also helped me discover Fela) that we may never get to see an Afrobeat concert ever. And right next week, we found ourselves front row to see Seun Kuti. I regret I was not sufficiently inebriated for this adventure but it was still a memorable show. I was mostly glad to just be able to attend an Afrobeat show. And that it was Fela’s son made it a huge bonus! Fairly similar music and style as his father, Seun Kuti had still carved out his own identity from his music. I clearly remember everyone dancing the entire time at the show – never a dull moment in Afrobeat!
15. Handsome Family at Englert Theater, Iowa City, IA: No TV show had got me captivated to an extent that The Wire did a few years back. Damages and Breaking Bad came close but still lacked that final punch I longed for. In came True Detective. I felt that punch right the first time I heard that opening track by Handsome Family. I still cannot think of a better song that would set just the perfect mood for the show than ‘Far from any Road’ by Handsome Family. I was an instant fan. The show at Englert Theater was particularly unique as the audience was seated ‘on stage’ with the band occupying a smaller portion of the stage. It was as close as I would ever come to an Unplugged concert – except I was probably even more close to the band here. I do not believe a more intimate setting is possible for a concert. In any case, they played everything from ‘Sister’s tiny hands’, ‘Bottomless Hole’, ‘Giant of Illinois’ and of course ‘Far from any Road’. Before they played the True Detective song, the band remarked something along the lines of: “Before True Detective, nobody really knew us. Now we can afford shoes!” It was perhaps an exaggeration – both of the state of not-so-popular musicians and the impact of a primetime HBO show feature can have on a band – but it definitely showed the couple’s (yes they are husband and wife) passion to just make dark and depressing songs. After the show, I was able to personally thank them for making such dark and depressing themed songs. They are a great sounding alternate country band and you should definitely check it out. ‘Through the Trees’ would be the album I would start with.
16. King Crimson at The Vic in Chicago, IL: If someone had asked me if I would ever see King Crimson Live about a year ago, I would have placed a sizable bet against it happening. There was simply no way a band that started in the 1960’s, progressed through the decades with an ever changing lineup and whose frontman was close to 70 years old could ever reform again – let alone hold a multi-continental tour. But, they did just that – AND they had Gavin Harrison in the drumming department. No fuckin’ kidding! The show was more of a symphony than a concert. The kind of symphony wherein a group of highly highly highly highly highly highly talented and skilled musicians played some of the most intricate pieces in rock history in a manner only those present could appreciate – and feel blessed. Yes. I wanted them to play a bunch of songs that I liked from the KC era that I was familiar with. I suppose they did. But that took a backseat to just the sheer awesomeness of their musicianship. There have been very very few times that I have been left in awe to that extent when it came to musical concerts. I have been to many Indian classical music shows where the coordination and skill displayed by the musicians is impeccable. And this seemed to surpass even that. The highlight of the show was clearly the band playing ‘Lark’s Tongue in Aspic’ – both parts. With 3 drummers on stage, the coordination and timing had to be spot on – and it was more than just spot on. Gavin Harrison’s drum solo will always be remembered. Robert Fripp essentially just sat in a chair all show looking at a screen scrolling music notes and played the guitar to perfection. Jakko Jakszyk was the vocalist for the touring band and he did a great job at channeling the angst in the show ending ’21st Century Schizoid Man’. Perhaps the only man even trying to put on a show was Mel Collins on his sax. But all this doesn’t seem to matter when one is enveloped by a quality of music that is simply too audacious even to attempt to play Live. It wouldn’t have mattered if you knew who or what King Crimson was. If you had just showed up, the band would have still blown your mind away.
As a side note, I have to mention that I was easily the youngest guy in the whole theater. I was younger than at least half of the median age of the rest of the crowd. I was sitting between two old men who were discussing their experiences of seeing KC Live on their tour in the 70’s. I suppose music does transcend barriers. But am also left to wonder if the next generation will ever even know who or what King Crimson is.
17. St. Paul and the Broken Bones at Wooly’s in Des Moines, IA: Southern soul music has never been a genre that made me feel like I should explore. SPBB changed all that one day when I heard ‘Call Me’ on the radio in my car. The only thought in my head as I heard it was ‘I need that CD and I need it right fuckin’ now!’. And I got the CD within an hour and listened to it on a loop for god knows how long. My friend described the singer’s voice as ‘He opens his mouth and Ottis Redding comes out!’ and he is absolutely right. Great voice from a lead singer who was brought up to become a Pastor/preacher. And you can see it in his Live performance – it really did look like he was preaching his songs to the crowd. But the reason I fell in love with this band was mainly due to the bassist. There was such an intense moment of inspiration for me when I heard through their album, that I picked up my bass and started playing it non- stop till my hands couldn’t take it any more. And I hadn’t played my bass for over 4 months at that point. I met the bassist outside the venue and was talking to him. He told me that him and the band members try to listen to new music all the time – to keep feeling inspired. And I responded to him by saying, ‘Well, just know that it is now you who are inspiring others with your music.’
18. Pearl Jam at Pinnacle Center in Lincoln, NE: I would pay to watch Eddie Vader SPEAK in a Live setting. So when the band played for close to 3 hours and over 25 songs, everything was a bonus. ‘Black’ has always held a close spot in my life. And I have discovered other gems as I have explored their other albums. The concert itself was not what I had hoped for – mainly because I got seats in the nosebleed section.
That pretty much set a bar on how great my experience would be. No complaints about the sound, but there is only so much one can enjoy seated at the back and top of an indoor arena. I believe there is one more Pearl Jam album in the works in the near future and another tour as well. Will make sure I make amends during that tour.
19. Amon Amarth at Wooly’s in Des Moines, IA: I will openly admit that heavy metal as a genre in itself is a ship that sailed a long time ago. I will fondly remember headbanging to a lot of metal bands in my adolescence but I am past that phase now. I still do go to metal shows if there is a familiar band playing in town. But that is pretty much it. I had never put in the effort to actively explore unfamiliar metal bands. Amon Amarth proved to be an exception. I started listening to the band only after I came to know that they would be playing in town. And I am extremely glad that I put in the effort to listen to them. This is a band whose ‘metal’ aspect of their music is purposeful and direct – and not present just because they are a heavy metal band. Their riffs and hooks complement that metal sound. And I was an instant fan. The concert was high energy and never a dull moment. I found myself headbanging and jumping around like I hadn’t done in ages. The lead singer even humored the crowd by asking them to repeat the lyrics after him, and then proceeded to say “This is death fuckin’ metal! It doesn’t matter what the lyrics are!” and then ripped straight into the chorus of Pursuit of Vikings!
I have to note that there was a certain spark of inspiration in me when the band played Pursuit of Vikings and Runes to My Memory among many other of their best songs. I truly felt alive in those moments. And that was when I realized that of all the genres of the bands I go to watch live, heavy metal is still the one with which I feel the strongest and the most raw connection. Perhaps I should start listening to metal again after all.
20. Trombone Shorty at Wooly’s, Des Moines, IA: Never heard of him before I learnt that he was playing in town. The band was the main act for the show with St. Paul and the Broken Bones. But it didn’t matter one bit after the band took stage. The quality and upbeat nature of the music was more than sufficient to make it a great show.
21. Antemasque at Majestic Theater, Detroit, MI: I was heartbroken when I learnt that The Mars Volta had disbanded. But I suppose Omar grew tired of putting out only 10,000 albums that previous year and wanted to make more music. So the end result was The Mars Volta reformed under a different name and with a different sound – with Flea on bass no less. No prog rock anymore, just straight up infectious punk. It appears that Cedric’s voice is something that suits punk just fine. And with Omar’s minimal guitar riffs, this is a surprisingly easy to listen record with a lot of great hooks. The show was high energy – with most of the energy coming from Cedric who was pretty much in his own world. Except perhaps for that one time when he had the bouncers kick a couple of idiots in the crowd out of the show. I was just glad that I got to see Omar and Cedric back together and making music and playing concerts again. It doesn’t matter under what name or what genre they make their music, because the quality is always going to be there.
22. Future Islands at Wooly’s, Des Moines, IA: One more band I wasn’t familiar with until I learnt that they were going to be in town. Their latest album SINGLES is what introduced me to the genre of synthpop. It was also one of the albums I listened to plenty of times during, and which set the mood for, my solo Colorado trip. The show was fabulous with their enigmatic frontman showing the crowd why he is considered one of the best at putting on a show. ‘Like The Moon’ is one of the top 5 songs I discovered in 2014. Minimal beats and a haunting bassline with dark vocals and great melody. Will be watching the band again in 2015.
So there it is. My best year so far for concerts. My schedule for 2015 is building up slowly but I don’t think it would ever get near or surpass 2014. Steven Wilson, Wilco, Tame Impala, TV on the Radio, Weezer and more area already on the books and hopefully more will get added on.
Clearly, this is becoming an annual event for me: recollecting and reliving the highlights from the previous year. This post may be 4 months late, but this is me not being concerned about it. 2014 was the best year for me so far with regard to concerts. The quality and quantity of concerts was so good that I even contemplated writing a mid-year review just so my annual post wouldn’t get too long. Since that did not happen, here we are gain. I am still splitting this into two posts. In any case, this is still a long post below – and only because I have so much to recollect and say.
1. Wolf Eyes at Mission Creek Festival, Iowa City, IA: My first true noise concert. This was held in the basement of the Yacht Club in Iowa City and started at 1 AM. The stage was about 8′ X 5′ and about 1 ft off the ground level. The crowd (including me) was exactly 3 ft away from the band. And I was also about 2 ft from the blaring speakers. The music (if you can call it that) of Wolf Eyes grew steadily in cacophony as their set went on. The noise of the guitar, the energy and intensity of the guitarist and vocalist (both of whom were jumping around so hard that they kept bumping into each other), and just the image of the noise-maker (that’s what I will call him) having a soundboard for a fanny pack and a gas mask on his face was sufficient to make my night. Their best song (again, if you can call it that) was their last one when all they did was create a 20 minute ‘jam’ with noise of all types and intensities. By the time that last jam hit its climax, I had an extremely strong urge to take the nearest chair and start smashing everything around me with it. And the fact that I couldn’t do so will remain as one of biggest regrets of my life. Such is the power of the music (again, if you can call it that) of Wolf Eyes. And it is a compliment to their art in as much as how it made me feel that night.
And if you have no idea what I am talking about, here is sample Wolf Eyes song (again, if you can call it that):
And here is a pic of the noise-maker with the world’s most awesome fanny pack.
2. Warpaint at Mission Creek Festival, Iowa City, IA: I watched this band under strange circumstances. I essentially thought it was the opening act until I found out otherwise the next day. I fell in love with their sound instantly – not having heard any of their songs before. This is the band that essentially introduced me to dream pop. A 4 piece all-female lineup with great bass sounds, haunting vocals and a sound that I had been seeking all my life without even knowing it. This is one of the few times you fall in love with a band after you hear their music for the first time – and that too in a live setting. Become a big fan of them since then and have their double LP on vinyl now!
Shout out to other Mission Creek acts including Circuit des Yeux (a one-woman project of something I cannot define but which I keep find crawling under my skin) and Earth (guitar drone, and then more guitar drone).
3. Eric Johnson at Wooly’s in Des Moines, IA: An hour and a half of great guitar work from one of the most well respected guitarists in the industry. Some of his songs brought back great memories of me sitting in my hostel room with His Holiness and my roommate and listening to Cliffs of Dover. I have never had much respect for guys like Yngwie Malmsteen who mostly just exhibit their shredding abilities. Sure that is a skill to admire but nothing ever comes out of it. Eric Johnson is at the other end of the argument – a man who CAN shred but does so when it makes the songs better. His focus is first on melody and harmony – not on showing off his skills. On stage, he was a very affable character who revealed that he was actually born in Iowa and that his grandma still lives here.
4. Mogwai at Wooly’s in Des Moines, IA: When my cousin first made me listen to Mogwai under certain ‘elevated’ conditions, I just hated the band. I didn’t want anything to do with it ever again. A year later, I gave the band one more chance and bought their ‘The Hawk is Howling’ album. Since then, there was no looking back. The sound of Post rock is pretty much epitomized by Mogwai. And so I was all smiles when I learnt they were going to be playing at Wooly’s. I particularly fell in love with their then latest album Rave Tapes and was listening to it on a loop for the longest time. No Medicine for Regret still stands as my personal favorite of the band’s entire catalog. They did not play that song at the concert but there was one moment of true inspiration that I will always remember. It came at about the 1 min mark when the song’s chorus (if you can call it that) just begins. I had listened to that song dozens of times by then. But that moment when the band reached that note LIVE and that transition into the chorus happened, I went into a different world. And I didn’t even need to be high. Of course, the highlight of the evening for me was ‘I am Jim Morrison, I am Dead.’ Very satisfying to see them Live.
5. Envy Corps at Wooly’s, (and 8035 Music Festival) Des Moines, IA: A Des Moines/Ames based band that you never have and would never hear of (unless you are reading this now). The lead singer would easily win the ‘Sounds Like Thom Yorke’ contest – even if Thom Yorke himself participated in it. The band’s It Culls You album is probably their best and deserve so much more credit than they are are currently getting. One of my best discoveries from last year. Ended up seeing them twice last year. Would do so again at the first opportunity.
6. Guided By Voices at Wooly’s, Des Moines, IA: I had never been to a punk concert before. And I was not familiar with the band either. But I decided to check it out. In the end, this was the longest concert (over 3 hours with 3 encores) I had ever been to. There is something authentic about a band with 50+ year old members play a straight up punk show with high energy – especially as the singer consumed a full bottle of Jack Daniel’s on stage during the show. It was probably the attitude that made it a good show. I will probably never invest in exploring the band as such but I was just glad I went to the show.
7. Cake at 8035 Festival, Des Moines, IA: When the lead singer of a band quotes from xkcd during the interlude of one of the songs, it is something worth remembering for a long, long time. But Cake’s John McCrea had the entire crowd in his complete control even without the help of xkcd. Performing the band’s songs – the equivalent of deadpan humor in movies – you could almost believe he was an evangelical leader preaching to a crowd of eager minds. ‘Sheep go to heaven, goats go to hell’ was perhaps the best example of this. This was perhaps the best portrayal of putting on a great show without having to try too hard.To me personally, the band’s best feature is the bassist and the way he incorporates bass lines with an appropriate groove to complement the rhythm of the songs. Perhaps, one of the other reasons I will remember this concert is because I got to hear a cover of War Pigs where the iconic guitar solo was played with the trumpet.
8. Ziggy Marley at 8035 Festival, Des Moines, IA: I have only listened to reggae music in passing. Always enjoyed it and found it very relaxing, but had never put in the effort to explore it any deeper. But I suppose I was sober all that time I listened to reggae (as pointed out by a good friend and a Ziggy concert veteran). So when Ziggy Marley played for an hour and a half on a hot summer day, I made sure I was sufficiently inebriated. And how glad I was to have been drunk then. So much so, that I now strongly believe that everyone on this planet should get drunk and/or high and attend a reggae concert as a matter of general principle. If it is not on your bucket list, it should be. And if you do not agree, I am OK if you are shot dead right now. In all seriousness, that hour and a half was the most carefree I have been in a long, long, long time. No worries, no concerns, no expectations, no obligations. For that hour and a half, everything was just right and I just knew that I was where I was supposed to be at that point in time. This is not even an exaggeration. I have been to many shows where the music has taken me places. This one just made me believe everything was awesome wherever I already was.
9. Conor Oberst at 8035 Festival, Des Moines, IA: The Ziggy Marley show was followed with Conor (of the Bright Eyes fame). And what a contrast it was. Nothing wrong with the show. Just that the sad and depressing music was in stark contrast with the I-feel-awesome music of Ziggy. Yes, I am a big fan of sad and depressing music, which is why I went into a profound gloom during his show. It was easy too – considering how drunk I was. Good show, I guess. But don’t remember it for the right reasons in hindsight.
10. Portugal. The Man at Brenton Skating Plaza, Des Moines, IA: It had been a while since I encountered an album that had me listening to it for months on end. But Portugal. The Man’s ‘Evil Friends’ filled that void. And that August night in East Village, I had one of the most memorable experiences at a concert in recent history. This concert went from being good to great for the most basic of reasons: great tunes, good performance, and sufficient inebriation. That was it. Songs that you could and wanted to sing along to, dance to, a crowd of people around you with the same intentions- all under the influence of sufficient amount of alcohol. That was all it took. The fact that the band started the show with a cover of Another Brick in the Wall Part 2 and ended the show with Baba O’Reilly ended up just as a bonus. This is a band that I will be following very very closely for the rest of my life (or their’s). And I cannot recommend Evil Friends enough. Special mention to the artwork on the album (I have even framed the album cover from my vinyl).
11. Grouplove at Brenton Skating Plaza, Des Moines, IA: Was not at all familiar with this band, but they were actually the main act when Portugal. The Man played. By the time PTM’s show was done, I was already at a point where everything else was a bonus. But Grouplove did not disappoint. Same ingredients: great tunes, catchy music, great to sing along to (if you knew the songs) and great to jump around or dance to – all with a crowd of fellow inebriated folks.
In part 2 I will be recollecting Fleetwood Mac (full lineup!), Handsome Family, King Crimson (!), CCR, Amon Amarath, Seun Kuti, St. Paul and the Broken Bones, Trombone Shorty, Pearl Jam, and Antemasque.
When I visited home last month after a gap of 3 years, I found out that my 13 year old cousin had suddenly become very interested in listening to music. She now owned an iPod and was quite enthusiastic about the whole idea of listening to music. So I asked her what she was listening to. The ensuing conversation went something like below (keep in mind she is only 13).
Me: So what are you listening to?
She: One Direction! I love that band!
Me: OK. Sounds like about the kind of music a 13 year old would listen to nowadays. Come to think of it, I was very much into Backstreet Boys and Boyzone back when I was your age.
She: Yes, One Direction is really good!
Me: So what other music do you listen to?
She: I really like One Direction! I have all their albums!
Me: That is good that you really like One Direction. What other bands do you listen to?
She: I just listen to ALL their songs on repeat! I really like them!
Me: For how long have you been listening to One Direction?
She: About 5 to 6 months now.
Me: Have you listened to any other English music in this time?
She: No. I really like One Direction!
Clearly, this conversation was going nowhere. I could have asked her how she did in her exams, and her response would have been, “I really like One Direction!”. So I gave up on the subject. Instead, we decided to play some kind of a passive card game along with her classmate – another 13 year old girl (who incidentally introduced my cousin to One Direction).
And before we started our game, I told them I was going to play some music from my phone. I told them it will be playing in the background and we can start playing the game. I put on Daft Punk’s Random Access Memories and on came “Give Life Back to Music”.
It must have taken about all of two minutes before both my cousin and her friend remarked, “What band is this? This is really good music!” I just smiled and told them who it was. And last I heard, they was listening to ‘Random Access Memories’ on a loop.
There are two very significant lessons to be learned just from this one seemingly trivial (and admittedly hilarious) incident. But before I go into that, an important thing to understand is this: What was seen with my 13 year old cousin is also highly representative of the mindset of a large fraction of the population when it comes to listening to and discovering new music.
The first of the two lessons is about the act of getting stuck in some kind of a comfort zone. For my 13 year old cousin, it was with the music of One Direction. For a lot of other people at different stages in their life (age-wise or exploration of music), it is something else. One of the simplest ways this phenomenon manifests itself is perhaps also the most common: A person who has spent a few years of their life listening to (and coming to like) a specific genre typically finds it very difficult to put in the effort to actively explore other genres by themselves. (As an extension, there are even some people who tend to stick to the few bands that they know of and rarely put in the effort to explore other bands – even within the same genre). A little thought into this and into our own habits can reveal the different manifestations of this particular aspect in the way we ourselves listen to music (past and present).
Essentially, it is the sense of comfort that familiarity brings with it that can make a listener continue to seek out what they already know. As a corollary, the perception of the effort that one has to put in to actively and consciously go out of this comfort zone and explore new genres of music is sufficiently big, such that few actually cross that barrier. This phenomenon is more significant than what we are willing to acknowledge.
The second of the two lessons is to do with those instances when a person actually crosses that barrier and discovers new music. By default, any person who has become really obsessed with a particular band or genre of music has had to have gone through the process of actually discovering the said (at the time) new genre. So, if we go by the previous proposition that it is very difficult to get a listener to actively explore new music, how then have most people discovered new music and genres so far?
The answer is simple. Most people discover music passively.
It is typically a moment of inspiration that drives people into exploring a new band or a new genre of music. Perhaps you heard it over the radio on your way to work and it struck a chord with you; maybe you heard it being played at your friend’s place and you wanted to borrow his CD; it came up on one of your Pandora stations and you instantly liked it; or you heard this song on a movie soundtrack and you just had to know which band it was; or a band/playlist that your favorite artist (or anyone you respect) recommended.
All the above examples of listening to music and discovering something new that you like has a common thread running through it. In none of the cases were you actively, consciously, proactively seeking out to explore new bands or genres. Instead, in all the cases above, you just happened to be listening to music when you had absolutely nothing at stake. There was no pressure on you from those sources of music to ‘like’ that band. Nor were there any expectations of what would come out from the act of listening to music under those circumstances. Ultimately, there was no real ‘investment’ or ‘effort’ required by you in order for you to experience that moment of inspiration.
This is essentially the act of listening to music ‘passively’. And it is this process that leads people to discover new music and explore new bands. The strongest connection between a fan and an artist is made when there is absolutely nothing at stake. And it is only after such a connection is made that the fan begins to invest their time and money on the artist. They buy their albums, go to concerts, buy merchandise, etc. And what’s more? They even recommend the band to their friends thus starting a positive feedback chain. All banking on a moment of inspiration that mostly happens when there is nothing at stake.
And this is exactly what happened with my 13 year old cousin and Daft Punk. She formed a connection with the band in a situation where there was no pressure of any kind whatsoever. ( I proceeded to give her a playlist of what I thought she should explore and after a couple of days she came back and said, “I really like this band. I think it is called Led Zeppelin.” Mission accomplished).
This post would be incomplete without pointing out the fact that there is a small fraction of people who do not fall under the category mentioned above. These are people who do not necessarily need a ‘nothing at stake’ situation in order to experience a moment of inspiration. These are people who actively go in search of new music and looking for new recommendations – being fully aware that there are many yet-to-be-explored bands out there that are creating music that you would love. These are also usually the highest spenders on music. And if you are one of them, chances are you have friends around you who are like that as well. But this should not imply that a majority of the population is like that.
Music may appear to be everywhere. But the true gift of music is yet to be given to most of the population, and that moment of inspiration should reach out to as many people as possible. It is a win/win situation.
As the title indicates, this post is about the fan’s perspective of discovering new music. But what about the music industry? And the artists themselves? This I intend to explore in the next post – hopefully in a week’s time.
For about 10 years or so, I spent barely anything at all on purchasing music. My family has always had a good sound system at home. But almost all my music purchases happened before the internet came to India. Following the advent of the internet, I maybe bought a grand total of 3 albums in the next 10 years. The rampant music piracy and sharing of files on P2P websites and servers made it that much easier to not spend on music that I could get for free. It was only when I came to the US, got a job and started working, that I found myself being drawn to the idea of actually ‘owning’ the physical form of music. It was also around the same time that I was particularly influenced by Steven Wilson’s constant glorification of the vinyl record. I began to dream of having my own record collection and record player. I romanticized the idea of holding an old LP in my hand and watching it spin as the music started playing. Its appeal kept growing every single time I thought about it. So I invested in a good sound system and a record player. And then I started buying used and new vinyl.
Today, after about 3 1/2 years, I can proudly state that I have with me about 300 vinyl records of bands from diverse genres and generations. In addition to this, I also own close to 200 CDs, a third of which were just simply given to me by my close friend when he moved. Yes, I am proud of the current state of my collection and all the new music that I have discovered along the way. But this post is not about me bragging about what I have or don’t have. Instead it is about the things that I learnt during that journey.
The first record I bought was AC/DC’s Back in Black brand new. Fabulous album and I was already familiar with many of the songs on it. I had been listening to it for about a week when I went to a used record store. And then I bought about 4 records there – easy considering that used records are just so inexpensive! I was super excited about it and began to play those. Back in Black went to the shelf and I only played it again last week after a gap of 3 1/2 years. A week or two later, I was at another record store and bought some more. The previous batch of records then went to the shelf. This process repeated itself over and over.
By the time I realized what was happening, I already had close to 200 records in my shelf including complete box sets of classical music – Bach, Chopin, Rachmaninoff, you name it. But I had only explored the full depths of the music on less than a quarter of those. I have listened to every single record I own at least once. But the joys of exploring the depths of a song were lost on me as far as most of my collection went. Following this realization, I stopped buying new music for a few months and instead focused on exploring whatever I already had. That proved to be a masterstroke and over the course of the following few months, the music on many of the albums truly revealed its inner depths to me. And listening to it in the high quality audio that only the vinyl can provide, I was duly rewarded for the investment. In hindsight, it was a lesson that I had to learn the hard way, and I am glad that I am now that much wiser.
Another lesson I learnt in a similar fashion was on WHAT records to buy when in a record store. Typically, whenever I enter a record store, I have absolutely no idea of what I want, let alone what I am going to walk out with. I take immense satisfaction in spending hours together digging through hundreds of records – many times arranged in no particular manner – and discovering a gem hidden among them. That moment of inspiration is priceless and I have gone through that process dozens of times. (I even built my complete Fleetwood Mac album set that way).
But one unwanted consequence of the same process is the discovery of used records by artists that you feel you ‘might like’ or are from artists you ‘have heard of’ or ‘want to explore’. In itself, this is a fairly innocuous occurrence. You usually find yourself with about 5-6 of these ‘type’ of records after all the digging through. These albums are usually very cheap – costing anywhere between $2 to $10 each. However, typically what happens – and I say this from experience – is that in addition to these, you also come across that one awesome album from a new pressing that can cost anywhere between $20 to $35. So what you are going to see is that you are getting 5-6 records for $30 instead of one record for $30. And so you purchase the used records for $30 while leaving out the one that you really wanted for the same amount. Essentially, you just spent the same amount of money on 5- 6 records – by bands that you may or may not be familiar with, and the music that you do not know if you will or will not like – as you would have on that one album that you really really wanted and already knew that you liked that music.
Long story short, it is not about the quantity. It really is about the quality. I will freely admit that there are dozens of records at my place that I will probably never listen to again. And if I chosen differently when it came to all those records, I would have easily bought a whole bunch of albums that I know for a fact I would have devoured completely. So yes, it is not about the numbers. It is about what speaks to you truly.
Yet another under rated aspect of collecting music is keeping it organized. When your collection passes a certain point (and you will never see this coming), stuff simply becomes hard to find. The text on the thickness of the sleeve can only be visible from so far out. Separating it into genres and by artist names alphabetically will go a long way in 1) reminding you of what you already have, 2) what to buy and to not buy in the future, and 3) finding the right music for the right occasion. I personally still need to find a wooden shelf of the right size to organize my entire collection.
So there you are. A few starter tips to be aware of while building your music collection. What I have said above very well applies to CDs. Of course, the Mp3 person does not have much to read into here.
And if you are really curious to see how my music collection looks, here you go:
An often denied fact concerns the accumulation of stress during any vacation. Be it a trip to a national park, a visit to a big city, a hike through the woods, a road trip – vacations usually consist of stress filled days that are stitched together midst the experiences of visiting new places or hanging out with friends/family. A fair amount of planning has already gone into the vacation: we visit these places on day one, drive to here on day two, meetup with friends on day three hiking, camp and hike further on day four, drive back on day five, take flight back home on day six. Feel free to make up your own schedule. We all have.
We want to ‘cover’ as many places as we can jam into our schedule. Consequently, this ends up demanding a lot more effort in getting to those places and ‘covering’ them while we are there. We want to put up photographs on Facebook showing us at as many different locations as possible. We want to tick all those places off our bucket list – whether they are on it or not. Life is so short after all…..right?
Getting started on a vacation with an agenda is what most people do. There is a certain expectation of returns for all the investment you are putting into this vacation. This is not necessarily a bad thing. It helps us see the places we always wanted to see in a timely and economical fashion. But it is also important to recognize the role of the agenda in building up stress levels during any vacation.
And that is what I decided to avoid last week when I took a few days off work. No agenda, no expectations, no stress: the Dudeist-Vacation
I took a Wednesday off work and this is a list of things I did in Des Moines that day:
1. Spend 2 hours eating breakfast at Perkup Cafe
2. Cash checks.
3. Visit the library, read Dune for an hour and rent 5 audiobooks for my drive the next day.
4. Watch Chelsea draw with Galatasaray in the Champions League at the Royal Mile drinking beer and eating lunch.
5. Come back home and watch a couple of episodes of True Detective and listen to a couple of LPs.
There is not one item in the list that can be even remotely classified as ‘constructive’. It was one of the most awesome days in recent memory. A complete day of doing absolutely nothing that required me to acknowledge any stress at all. Just like The Dude lives.
This inspired me to extend the same thinking for the rest of my vacation. So when I reached Ann Arbor the next day, I had absolutely nothing on my mind that I wanted to do. Sure I wanted to see my friend successfully defend his PhD. But that was it. Other than that, I was just hanging out doing absolutely nothing.
I drove to Detroit on Saturday to visit a couple of my other good friends. The only agenda I had for that trip was to visit the Motown museum. Other than that, all I told my friend was that I wanted to drink some beer and buy some records. And that is exactly what I did: drink beer at a brewery and buy some records at a record store. To kill a couple of hours, my friend and I hung out at a coffee shop chatting. Then I ate dinner and went back to Ann Arbor. That was it. That was how I spent my only day in Detroit. Barely any agenda and still extremely satisfying.
My friend (now with a DR. before his name) and I then drove to Chicago because it is on my way back to Des Moines. And also because Chicago is awesome. It is an even more awesome place to do absolutely nothing and just hang out with no agenda. All I wanted to do was meet a friend, drink some beer, eat some deep dish pizza and buy some records. And that is what we did. Met a friend, drank some beer, ate deep dish pizza and bought a lot of records. We also celebrated his PhD at the Signature Lounge on top of Hancock tower with a glass of Glenmorangie on the rocks overlooking the night view of the entire city from up top. I stayed one more night and went to a downtown breakfast place in the morning and just sat there by myself for two hours doing absolutely nothing. And then I drove back to Des Moines. Never visited any tourist attraction, never did any sightseeing, and did not even look up any ‘things to do in Chicago’.
It was the best vacation I could have had under those circumstances. For a week, I did not even have to acknowledge the idea of stress – even minuscule amounts of it. There was nothing that could go wrong when you were doing absolutely nothing. And I was able to do that because I had absolutely no agenda set for my vacation. No expectations, no plans – just a whole bunch of doing nothing. More importantly, it was a whole bunch of doing nothing in different places – which is awesome.
After I came back, I realized that anytime I did absolutely nothing for extended periods of time is always awesome. You should try it too. It would be important to identify those particular activities you would want to do that do not require any set agenda whatsoever. To me, apparently, they include eating breakfast, drinking beer and buying records. It is just something that you do because you like it and you don’t care how it turns out. There is absolutely nothing at stake when you are doing these activities. Only you know what those activities are. And once you know what they are, you should just take a vacation doing those things – wherever you want to. For all I care, take a flight half way across the country to just sit at a coffee shop and do nothing for an entire day. (That would be an awesome idea by the way).
All in all, it is an extremely satisfying and fulfilling experience to just be able to do nothing and continue to live a normal life. Also, the very act of doing nothing for extended periods of time tells you that “nothing’s fucked!”. The Dude’s lifestyle is not just for a character in a Coen Brothers movie. It is an increasingly overlooked way of life for us every day men and women. Maybe we will never be able to live like The Dude every single day of our lives. But, at the very least, when we decide to take time off, we can remember to ask ourselves the question:
“What would The Dude do?”
And then decide to do absolutely nothing. Because it is always awesome to be The Dude.
PS: After this experience, I have decided to take a weekday off from work every 2-3 weeks and do absolutely nothing. I won’t be at home, but I intend to do absolutely nothing constructive the entire day. It is like my day of rest.
Hopefully I get to do this every year. 2012 was awesome. 2013 started off awesome but kinda tapered down towards the end. But it still had some phenomenal highlights. Here is a quick recap:
1. Grace Potter and the Nocturnals at Hoyt Sherman Place in Des Moines: So this officially made Grace Potter the band I had seen the most number of times Live at 3. And I will watch her live again and again and again. I still maintain that there is nobody else I have seen who can match her stage presence. Having said that, her concert at the Nitefall on the River series in 2012 had set the bar so high that it was never going to be matched again. Memorable experience for sure and I will donate my money without a blink of my eye to see her perform Live again. She really means it when she says that she performs every concert like it is her last.
2. Bosnian Rainbows at Fine Line Music Cafe in Minneapolis: After my good friend introduced me to the universe of Omar-Rodriguez Lopez, I was always going to go watch Bosnian Rainbows – his latest venture – in Minneapolis. Dude looks like he just got out of high school and he really gets into his music.
Terri Gender Bender knows how to put on a show and I loved the sound. Best part of the show was when – at the end – Omar thanked the crowd at the bar for coming out and supporting the band. He did that by speaking directly to the crowd instead of talking into the mic. Respect. Full Review here.
3. Sigur Ros at Starlight Theater in Kansas City: What can I say? I think the correct terminology is ‘a religious experience’ or ‘a spiritual experience’. I was going through a very gloomy stage of my life largely due to the never ending winter. It had taken a toll on me and I was barely surviving. And then when I watched them Live, it was close to being a life altering experience. It is one of those experiences when you reach a higher state of consciousness and you have an epiphany about your life. No need for any drugs, just the sadness in his voice is sufficient. As I wrote in my detailed recollection, “I do not know if I found the answer I was looking for. But I definitely found the answer I needed to know.”
4. Steven Wilson at Fine Line Music Cafe in Minneapolis: Having missed his previous two visits to the US (Blackfield and first solo tour), I had to make sure that I saw him Live this time around. Conveniently playing at Minneapolis over the weekend too. So pretty much a no brainer and everything else had to just wait. His latest album ‘The Raven…” is his best piece of work since Deadwing. Drive Home and The Watchmaker along with The Raven moved me close to tears. But the song I really was looking forward to and one that had grown on me was ‘Deform to form a Star’ from his earlier album.
Not disappointed. I ended up buying The Raven T-Shirt (the one with the spooky moon) and it has been one shirt that has attracted a lot of attention everywhere I went. No seriously, I have had a whole bunch of people come to me and talk to me about it everywhere I went.
5. Opeth with Katatonia at Wooly’s in Des Moines: Opeth was in Des Moines! Do you believe it?!?? It had been like ages since I had listened to Opeth. I had seen them Live at IITM a long ass time ago. But this time I was watching them in a significantly smaller venue – like all of 10 ft away and with a glass of Jameson in my hands. Always better with Jameson in my hands. He played Hessian Peel. That made my day. I will freely admit I had stopped listening to metal for a while by then. But Opeth with Katatonia in Des Moines?? Well, I just had to see them Live as a matter of general principle. Fully satisfied.
6. Fleetwood Mac at Wells Fargo Arena in Des Moines: This is a band I had wanted to see Live since high school. One of the few bands whose music connected to me at a very fundamental level. Stevie Nicks’ live voice is different than what it sounds on the albums. But then if I wanted to listen to her sound like she does on the album, I would just play the album. And that is what made the concert really good. The band just sounded different – with more of a live music feel. I think it is important that I fully attest to the fact that Lindsay Buckingham has an awesome awesome voice – and he is an extremely underrated guitar player. Mick Fleetwood is OLD. But I don’t think he knows that. Dude was drumming the shit out of every song – and THEN he decided to do a drum solo. Talk about passion. The only thing disappointing about the sound was John’s bass. It was barely audible. Extremely disappointing considering how much I grew up inspired by those basslines.
They played every single song I wanted them to. Of course there was no Christine, so they only played those that had Stevie/Lindsay on the vocals. Best surprise was when they played ‘Sisters on the moon’ and ‘Gold Dust Woman’! Did not see those coming at all!
Apart from the songs themselves, one aspect of the concert I truly admired was the genuine acknowledgement and appreciation the band members showed to the crowd for their continued support. It was the appreciation of a band that has been around for decades together, who have seen it all, who have everything they ever wanted, who have absolutely nothing left to prove to anybody, and who realize that after all these years they are only around because their fans want them to be around. Stevie Nicks spoke at length to the crowd before the last song actually explaining how she felt about all the support she has received from the band’s fans all through her career. Truly remarkable gesture from the band and the crowd knew it.
All in all, very very satisfying concert – more so because it was something I had pretty much given up on ever witnessing. Could have been even better if it wasn’t for that annoying 40 something woman in front of me who kept dancing like she had the entire place to herself – hitting people around her without as much as a sense of space. I get it – people enjoy music differently. But then, still, f*** you.
7. 80-35 Music Festival in Des Moines: This was 2 days of awesome fun. This was the first time that I truly experienced a music festival – everything it has to offer. I realized that music festivals are not about watching a lot of your favorite bands play in one place. It is more about just wandering around and finding a band that you had no idea about playing some wonderful music and being drawn to it. The festival was skewed more towards alternative and indie rock bands, but also included a few folk, acoustic bands and a bunch of DJs. Biggest discovery for me was Deerhunter, Yeasayers and Umphrey’s McGee. Deerhunter especially. Who knew I would just walk into some noise influenced band at a music festival in Des Moines? Always loved the summer atmosphere on display during the festival. Reminds me of why it is OK to live through the god forsaken winter.
8. Telescopes with LSD and the Search for God: This was right after the 8035 festival and it was all noise and shoegaze. As I wrote in my detailed recollection, as far as the sound goes, well, FUCK! I felt that I had finally got what I was unknowingly looking for all my life. That one sound that would just ‘hit the spot’. The Telescope’s noise and shoegaze hit the spot alright. And more importantly, it opened me up to a whole new set of bands and sounds. Perfect Noise and mindblowing Shoegaze. Special shout out to LSD and the Search for God. Awesome Stoner music.
9. Blue Oyster Cult at the Iowa State Fair in Des Moines: Free show at the State Fair! WoW! I didn’t know these guys were still even playing. The only day I was able to go the fair, I caught these guys playing all their hits – every one of them. Fuckin’ A!
10. Tame Impala and The National at Starlight Theater in Kansas City: The best album of 2013 as far as I have explored music is Tame Impala’s Lonerism. Finally a band that knows how to use the bass guitar. Tame Impala is the biggest discovery I have made in all of 2013 and I got to see them live. It was a short setlist – a little more than an hour – but they played most of their new album. You just got to check out their latest album.
The National was the main act but I had personally gone there to see Tame Impala. But clearly The National is awesome. The vocalist dude could sing one song in a haunting melancholic voice and the next he would be screaming like he was in a hardcore punk rock band. Great songs too.
So that was it. All the concerts I went to in 2013. 2014 has so far started off slow, but am looking forward to seeing Mogwai in Des Moines. I am also going to make an additional effort to visit the local smaller venues more frequently. After all, music is music. Where I discover it doesn’t make any difference.