It has finally happened. I have written a Part 3 to something! This in itself is cause for celebration. But I digress. Here is a quick summary of the bands I saw at 8035 Music Festival and Hinterland Music Festival in 2015. Two good festivals, but I have to admit I liked Hinterland that much more. So here goes:
17. Wilco at 8035 Music Festival, Des Moines, IA: I remember buying a CD of Wilco’s ‘A Ghost is Born’ from the local record store about 4 years ago. To this day, I believe that is his best album. I love ‘Summerteeth’ and I strongly believe that ‘Yankee Hotel Foxtrot’ is overrated. He is as good as a songwriter and singer as he is a bad lyricist. But my ratings of his albums and his ability to write good lyrics had absolutely no bearing when I saw him play a few blocks from my apartment at the 8035 music festival. For some reason, I had believed that 8035 would be a perfect place for him to play, and that pretty much just happened. I unfortunately do not remember much from the show as I was sufficiently inebriated and all I pretty much remember is just swaying to his music, singing along and having great fun. I do remember he played most of his greatest hits, including some 3-4 songs from ‘A Ghost is Born’. That’s it. I truly do not remember much else. I am glad I got to see him play some of my favorite songs live, but I also do wish I could remember much from it.
18. Weezer at 8035 Music Festival, Des Moines, IA: I have absolutely no idea how long ago it was that I had heard to Weezer last. The ‘blue album’ was good and I had heard a few of their other songs. Good show to sing along to. I remember it was night at 9 or so and my friends and I were just so damn tired that, admittedly, we just stayed at the back of the crowd and had a low key experience of the show. They did play Islands in the Sun and that was good enough for me.
19. Lettuce at 8035 Music Festival, Des Moines, IA: Hands down the best band that played at the 2015 8035! There is something about jam bands and watching them live. It is like driving through the forests of Colorado in Fall. That is just exactly how you must experience it. And Lettuce put on a great show. It didn’t matter if you were familiar with the band or not, you were dancing! They even got a touring singer come out and sing vocals for a few really groovy funk numbers. Definitely the highlight of the entire music festival.
Hinterland Music Festival, St. Charles, IA: A new music festival that was scheduled to take place at the Waterworks park, less than a mile from my apartment had some last minute changes in the venue due to flooding concerns. With the venue moved at the last moment from Des Moines to St. Charles, a small town half an hour down I-35, I was a little bit apprehensive about the venue but it turned out to be just great. And the whole music festival went so well, that the organizers are going to stick with St. Charles for this year’s edition. Works for me!
20. Future Islands at Hinterland Music Festival, St. Charles, IA: This is a band that I don’t think I will get tired of seeing them live. This was my second time, having seen them at Wooly’s in 2014, and it was an even better show. That lead singer can dance. Clearly a ladies’ man (he was even wearing golden color boots), he was sweating and “ready to take all the women to the moon” by the end of the show (overheard at the show). This band really does redefine bass grooves and showmanship. Grace Potter, true to her name, puts on a show with enormous amounts of grace. This man, on the other hand, puts on a show with sheer raw energy and intensity. Regardless of whether you are familiar with this band or not, you WILL be dancing at their show. I also do sincerely hope they starts playing Like the Moon at their shows. I could make an argument that it is their best hidden gem, and it is so good that it doesn’t deserve to be hidden anymore. On a personal note, this band brings back strong memories from my solo vacation to Colorado. I was, after all playing ‘Singles’ for a good part of the 1600 mile drive. FYI, I could start dancing right now listening to them on my earphones in the coffee shop.
21. St. Paul and the Broken Bones at Hinterland Music Festival, St. Charles, IA: Second time as well, having seen them at Wooly’s in 2014. Mr. Paul, the lead singer, really is the Ottis Redding of this generation. And the band’s basslines will always remind me that I love playing the bass guitar. They played an hour long set at the festival in the sweltering 95 degree heat, AND they did so wearing full fledged suits! I think they did a bit of sweating. But this band is one of my favorite bands and they introduced me to a genre I didn’t know existed and I love. ‘Half a City’ is a great debut album and I am looking forward to an even better sophomore. And then some more shows!
22. Madisen Ward and Mama Bear at Hinterland Music Festival AND Vaudewille Mews: That is right. I saw this band twice last year, and it is right at the top of bands I discovered in 2015. This is a mother and son duo who play folk music. I have not been naturally attracted to folk music like I have been to so many other genres. I had always felt that most bands focus more on the sound of folk music than on the melody of the songs. Which is why I fell in love with MW first time I heard Silent Movies. But Silent Movies was just one of the 12 beautiful and melodious songs on their debut album ‘Skeleton Crew’. In fact, it was also an anomaly, as it seemed to be a rather happy song. Almost every other song on their album is the kind of song you listen to just before you throw yourself off a cliff. I could go one step ahead and say that listening to them when you are feeling gloomy can make you feel that the ‘jumping off a cliff’ part is actually a reasonable idea. Perhaps, at this point, I should point out that the most depressing song I heard in 2015 was from ‘Skeleton Crew’ and it is Dead Daffodils. Yes, I know just the name of the song can make you feel like giving up on life altogether. The song will make sure you do just that.
As far as the shows went, I have to admire the old woman’s passion to travel so much and have all that energy at that age to play so many shows in a year. At the Vaudewille Mews show, she played a haunting, stripped down version of Fleetwood Mac’s Dreams and Ben E King’s Stand By Me. The VM show was a very intimate one and I was right in front of the band. And this really is a band that one should watch in an intimate venue. Madisen Ward has a beautiful voice that seems to be singing in the most appropriate genre and melody. Down in Mississippi will always be a highlight at their shows just because of the power of MW’s voice and the spell that it casts on the audience, captivating them completely. And that effect is amplified best at an intimate venue.
I am hoping to catch them again in Kansas City this July. It won’t be at an intimate venue, but it will do just the same. And I will definitely be on the lookout for their sophomore album.
23. TV on the Radio at Hinterland Music Festival, St. Charles, IA: Take David Bowie, mix it with copious amounts of Nine Inch Nails, then add some Prince for good measure, and you might just begin to envision how TVOTR sounds like. ‘Seeds’ is the best summer album I have heard since ‘Evil Friends’ by Portugal. The Man. And with a back catalog that has songs such as Wolf Like Me, Staring at the Sun, this band’s live shows do not disappoint. There is a lot of DJ stuff in their sounds, and a lot of live instruments as well. I don’t mind either way simply because they have created a very refreshing new sound that you can sing along (Happy Idiot), dance to (Lazerray) and even get charged up ready to smash some windows (Wolf Like Me). I also do hope they start playing Right Now – easily the best dance track of their entire catalog – on their shows. ‘Seeds’ is an album I will always associate with the summer of 2015 and everything it felt like. I still do need to properly explore their back catalog and will be on the lookout for their next album/tour. Strongly recommend this band!
24. Brandi Carlile at Hinterland Music Festival, St. Charles, IA: Country music has always been at the wrong end of my taste spectrum. I have always felt that mainstream country has its focus more on song structure, sound and lyrics and not much on creating new melody (kinda like blues too). Brandi Carlile is one of the exceptions and I fully enjoy her music. Her show was high energy with the entire crowd singing along to most of the songs. But I have to admit, the highlight of the show when she got the members of the Old Crow Medicine Show join her on stage to play a bluegrass version of Led Zeppelin’s Going to California! She poured her heart and soul into singing the high pitch portions of the song, and it was truly impressive and powerful! That’s when it hit me that here is a bluegrass band and a country singer covering a rock n’ roll classic by Led Zeppelin. I suppose all is well with mankind after all. I am looking to see her in concert this month (June) again in Des Moines, and I know I won’t be disappointed.
Honorable mention to Old Crow Medicine Show and a not so honorable mention to Edward Sharpe and the Magnetic Zeros (Edward Sharpe was drunk and high and could barely get himself to sing to the most basic standards. Shame on him for such lack of professionalism).
Clearly, this is becoming an annual event for me: recollecting and reliving the highlights from the previous year. This post may be 4 months late, but this is me not being concerned about it. 2014 was the best year for me so far with regard to concerts. The quality and quantity of concerts was so good that I even contemplated writing a mid-year review just so my annual post wouldn’t get too long. Since that did not happen, here we are gain. I am still splitting this into two posts. In any case, this is still a long post below – and only because I have so much to recollect and say.
1. Wolf Eyes at Mission Creek Festival, Iowa City, IA: My first true noise concert. This was held in the basement of the Yacht Club in Iowa City and started at 1 AM. The stage was about 8′ X 5′ and about 1 ft off the ground level. The crowd (including me) was exactly 3 ft away from the band. And I was also about 2 ft from the blaring speakers. The music (if you can call it that) of Wolf Eyes grew steadily in cacophony as their set went on. The noise of the guitar, the energy and intensity of the guitarist and vocalist (both of whom were jumping around so hard that they kept bumping into each other), and just the image of the noise-maker (that’s what I will call him) having a soundboard for a fanny pack and a gas mask on his face was sufficient to make my night. Their best song (again, if you can call it that) was their last one when all they did was create a 20 minute ‘jam’ with noise of all types and intensities. By the time that last jam hit its climax, I had an extremely strong urge to take the nearest chair and start smashing everything around me with it. And the fact that I couldn’t do so will remain as one of biggest regrets of my life. Such is the power of the music (again, if you can call it that) of Wolf Eyes. And it is a compliment to their art in as much as how it made me feel that night.
And if you have no idea what I am talking about, here is sample Wolf Eyes song (again, if you can call it that):
And here is a pic of the noise-maker with the world’s most awesome fanny pack.
2. Warpaint at Mission Creek Festival, Iowa City, IA: I watched this band under strange circumstances. I essentially thought it was the opening act until I found out otherwise the next day. I fell in love with their sound instantly – not having heard any of their songs before. This is the band that essentially introduced me to dream pop. A 4 piece all-female lineup with great bass sounds, haunting vocals and a sound that I had been seeking all my life without even knowing it. This is one of the few times you fall in love with a band after you hear their music for the first time – and that too in a live setting. Become a big fan of them since then and have their double LP on vinyl now!
Shout out to other Mission Creek acts including Circuit des Yeux (a one-woman project of something I cannot define but which I keep find crawling under my skin) and Earth (guitar drone, and then more guitar drone).
3. Eric Johnson at Wooly’s in Des Moines, IA: An hour and a half of great guitar work from one of the most well respected guitarists in the industry. Some of his songs brought back great memories of me sitting in my hostel room with His Holiness and my roommate and listening to Cliffs of Dover. I have never had much respect for guys like Yngwie Malmsteen who mostly just exhibit their shredding abilities. Sure that is a skill to admire but nothing ever comes out of it. Eric Johnson is at the other end of the argument – a man who CAN shred but does so when it makes the songs better. His focus is first on melody and harmony – not on showing off his skills. On stage, he was a very affable character who revealed that he was actually born in Iowa and that his grandma still lives here.
4. Mogwai at Wooly’s in Des Moines, IA: When my cousin first made me listen to Mogwai under certain ‘elevated’ conditions, I just hated the band. I didn’t want anything to do with it ever again. A year later, I gave the band one more chance and bought their ‘The Hawk is Howling’ album. Since then, there was no looking back. The sound of Post rock is pretty much epitomized by Mogwai. And so I was all smiles when I learnt they were going to be playing at Wooly’s. I particularly fell in love with their then latest album Rave Tapes and was listening to it on a loop for the longest time. No Medicine for Regret still stands as my personal favorite of the band’s entire catalog. They did not play that song at the concert but there was one moment of true inspiration that I will always remember. It came at about the 1 min mark when the song’s chorus (if you can call it that) just begins. I had listened to that song dozens of times by then. But that moment when the band reached that note LIVE and that transition into the chorus happened, I went into a different world. And I didn’t even need to be high. Of course, the highlight of the evening for me was ‘I am Jim Morrison, I am Dead.’ Very satisfying to see them Live.
5. Envy Corps at Wooly’s, (and 8035 Music Festival) Des Moines, IA: A Des Moines/Ames based band that you never have and would never hear of (unless you are reading this now). The lead singer would easily win the ‘Sounds Like Thom Yorke’ contest – even if Thom Yorke himself participated in it. The band’s It Culls You album is probably their best and deserve so much more credit than they are are currently getting. One of my best discoveries from last year. Ended up seeing them twice last year. Would do so again at the first opportunity.
6. Guided By Voices at Wooly’s, Des Moines, IA: I had never been to a punk concert before. And I was not familiar with the band either. But I decided to check it out. In the end, this was the longest concert (over 3 hours with 3 encores) I had ever been to. There is something authentic about a band with 50+ year old members play a straight up punk show with high energy – especially as the singer consumed a full bottle of Jack Daniel’s on stage during the show. It was probably the attitude that made it a good show. I will probably never invest in exploring the band as such but I was just glad I went to the show.
7. Cake at 8035 Festival, Des Moines, IA: When the lead singer of a band quotes from xkcd during the interlude of one of the songs, it is something worth remembering for a long, long time. But Cake’s John McCrea had the entire crowd in his complete control even without the help of xkcd. Performing the band’s songs – the equivalent of deadpan humor in movies – you could almost believe he was an evangelical leader preaching to a crowd of eager minds. ‘Sheep go to heaven, goats go to hell’ was perhaps the best example of this. This was perhaps the best portrayal of putting on a great show without having to try too hard.To me personally, the band’s best feature is the bassist and the way he incorporates bass lines with an appropriate groove to complement the rhythm of the songs. Perhaps, one of the other reasons I will remember this concert is because I got to hear a cover of War Pigs where the iconic guitar solo was played with the trumpet.
8. Ziggy Marley at 8035 Festival, Des Moines, IA: I have only listened to reggae music in passing. Always enjoyed it and found it very relaxing, but had never put in the effort to explore it any deeper. But I suppose I was sober all that time I listened to reggae (as pointed out by a good friend and a Ziggy concert veteran). So when Ziggy Marley played for an hour and a half on a hot summer day, I made sure I was sufficiently inebriated. And how glad I was to have been drunk then. So much so, that I now strongly believe that everyone on this planet should get drunk and/or high and attend a reggae concert as a matter of general principle. If it is not on your bucket list, it should be. And if you do not agree, I am OK if you are shot dead right now. In all seriousness, that hour and a half was the most carefree I have been in a long, long, long time. No worries, no concerns, no expectations, no obligations. For that hour and a half, everything was just right and I just knew that I was where I was supposed to be at that point in time. This is not even an exaggeration. I have been to many shows where the music has taken me places. This one just made me believe everything was awesome wherever I already was.
9. Conor Oberst at 8035 Festival, Des Moines, IA: The Ziggy Marley show was followed with Conor (of the Bright Eyes fame). And what a contrast it was. Nothing wrong with the show. Just that the sad and depressing music was in stark contrast with the I-feel-awesome music of Ziggy. Yes, I am a big fan of sad and depressing music, which is why I went into a profound gloom during his show. It was easy too – considering how drunk I was. Good show, I guess. But don’t remember it for the right reasons in hindsight.
10. Portugal. The Man at Brenton Skating Plaza, Des Moines, IA: It had been a while since I encountered an album that had me listening to it for months on end. But Portugal. The Man’s ‘Evil Friends’ filled that void. And that August night in East Village, I had one of the most memorable experiences at a concert in recent history. This concert went from being good to great for the most basic of reasons: great tunes, good performance, and sufficient inebriation. That was it. Songs that you could and wanted to sing along to, dance to, a crowd of people around you with the same intentions- all under the influence of sufficient amount of alcohol. That was all it took. The fact that the band started the show with a cover of Another Brick in the Wall Part 2 and ended the show with Baba O’Reilly ended up just as a bonus. This is a band that I will be following very very closely for the rest of my life (or their’s). And I cannot recommend Evil Friends enough. Special mention to the artwork on the album (I have even framed the album cover from my vinyl).
11. Grouplove at Brenton Skating Plaza, Des Moines, IA: Was not at all familiar with this band, but they were actually the main act when Portugal. The Man played. By the time PTM’s show was done, I was already at a point where everything else was a bonus. But Grouplove did not disappoint. Same ingredients: great tunes, catchy music, great to sing along to (if you knew the songs) and great to jump around or dance to – all with a crowd of fellow inebriated folks.
In part 2 I will be recollecting Fleetwood Mac (full lineup!), Handsome Family, King Crimson (!), CCR, Amon Amarath, Seun Kuti, St. Paul and the Broken Bones, Trombone Shorty, Pearl Jam, and Antemasque.