It has finally happened. I have written a Part 3 to something! This in itself is cause for celebration. But I digress. Here is a quick summary of the bands I saw at 8035 Music Festival and Hinterland Music Festival in 2015. Two good festivals, but I have to admit I liked Hinterland that much more. So here goes:
17. Wilco at 8035 Music Festival, Des Moines, IA: I remember buying a CD of Wilco’s ‘A Ghost is Born’ from the local record store about 4 years ago. To this day, I believe that is his best album. I love ‘Summerteeth’ and I strongly believe that ‘Yankee Hotel Foxtrot’ is overrated. He is as good as a songwriter and singer as he is a bad lyricist. But my ratings of his albums and his ability to write good lyrics had absolutely no bearing when I saw him play a few blocks from my apartment at the 8035 music festival. For some reason, I had believed that 8035 would be a perfect place for him to play, and that pretty much just happened. I unfortunately do not remember much from the show as I was sufficiently inebriated and all I pretty much remember is just swaying to his music, singing along and having great fun. I do remember he played most of his greatest hits, including some 3-4 songs from ‘A Ghost is Born’. That’s it. I truly do not remember much else. I am glad I got to see him play some of my favorite songs live, but I also do wish I could remember much from it.
18. Weezer at 8035 Music Festival, Des Moines, IA: I have absolutely no idea how long ago it was that I had heard to Weezer last. The ‘blue album’ was good and I had heard a few of their other songs. Good show to sing along to. I remember it was night at 9 or so and my friends and I were just so damn tired that, admittedly, we just stayed at the back of the crowd and had a low key experience of the show. They did play Islands in the Sun and that was good enough for me.
19. Lettuce at 8035 Music Festival, Des Moines, IA: Hands down the best band that played at the 2015 8035! There is something about jam bands and watching them live. It is like driving through the forests of Colorado in Fall. That is just exactly how you must experience it. And Lettuce put on a great show. It didn’t matter if you were familiar with the band or not, you were dancing! They even got a touring singer come out and sing vocals for a few really groovy funk numbers. Definitely the highlight of the entire music festival.
Hinterland Music Festival, St. Charles, IA: A new music festival that was scheduled to take place at the Waterworks park, less than a mile from my apartment had some last minute changes in the venue due to flooding concerns. With the venue moved at the last moment from Des Moines to St. Charles, a small town half an hour down I-35, I was a little bit apprehensive about the venue but it turned out to be just great. And the whole music festival went so well, that the organizers are going to stick with St. Charles for this year’s edition. Works for me!
20. Future Islands at Hinterland Music Festival, St. Charles, IA: This is a band that I don’t think I will get tired of seeing them live. This was my second time, having seen them at Wooly’s in 2014, and it was an even better show. That lead singer can dance. Clearly a ladies’ man (he was even wearing golden color boots), he was sweating and “ready to take all the women to the moon” by the end of the show (overheard at the show). This band really does redefine bass grooves and showmanship. Grace Potter, true to her name, puts on a show with enormous amounts of grace. This man, on the other hand, puts on a show with sheer raw energy and intensity. Regardless of whether you are familiar with this band or not, you WILL be dancing at their show. I also do sincerely hope they starts playing Like the Moon at their shows. I could make an argument that it is their best hidden gem, and it is so good that it doesn’t deserve to be hidden anymore. On a personal note, this band brings back strong memories from my solo vacation to Colorado. I was, after all playing ‘Singles’ for a good part of the 1600 mile drive. FYI, I could start dancing right now listening to them on my earphones in the coffee shop.
21. St. Paul and the Broken Bones at Hinterland Music Festival, St. Charles, IA: Second time as well, having seen them at Wooly’s in 2014. Mr. Paul, the lead singer, really is the Ottis Redding of this generation. And the band’s basslines will always remind me that I love playing the bass guitar. They played an hour long set at the festival in the sweltering 95 degree heat, AND they did so wearing full fledged suits! I think they did a bit of sweating. But this band is one of my favorite bands and they introduced me to a genre I didn’t know existed and I love. ‘Half a City’ is a great debut album and I am looking forward to an even better sophomore. And then some more shows!
22. Madisen Ward and Mama Bear at Hinterland Music Festival AND Vaudewille Mews: That is right. I saw this band twice last year, and it is right at the top of bands I discovered in 2015. This is a mother and son duo who play folk music. I have not been naturally attracted to folk music like I have been to so many other genres. I had always felt that most bands focus more on the sound of folk music than on the melody of the songs. Which is why I fell in love with MW first time I heard Silent Movies. But Silent Movies was just one of the 12 beautiful and melodious songs on their debut album ‘Skeleton Crew’. In fact, it was also an anomaly, as it seemed to be a rather happy song. Almost every other song on their album is the kind of song you listen to just before you throw yourself off a cliff. I could go one step ahead and say that listening to them when you are feeling gloomy can make you feel that the ‘jumping off a cliff’ part is actually a reasonable idea. Perhaps, at this point, I should point out that the most depressing song I heard in 2015 was from ‘Skeleton Crew’ and it is Dead Daffodils. Yes, I know just the name of the song can make you feel like giving up on life altogether. The song will make sure you do just that.
As far as the shows went, I have to admire the old woman’s passion to travel so much and have all that energy at that age to play so many shows in a year. At the Vaudewille Mews show, she played a haunting, stripped down version of Fleetwood Mac’s Dreams and Ben E King’s Stand By Me. The VM show was a very intimate one and I was right in front of the band. And this really is a band that one should watch in an intimate venue. Madisen Ward has a beautiful voice that seems to be singing in the most appropriate genre and melody. Down in Mississippi will always be a highlight at their shows just because of the power of MW’s voice and the spell that it casts on the audience, captivating them completely. And that effect is amplified best at an intimate venue.
I am hoping to catch them again in Kansas City this July. It won’t be at an intimate venue, but it will do just the same. And I will definitely be on the lookout for their sophomore album.
23. TV on the Radio at Hinterland Music Festival, St. Charles, IA: Take David Bowie, mix it with copious amounts of Nine Inch Nails, then add some Prince for good measure, and you might just begin to envision how TVOTR sounds like. ‘Seeds’ is the best summer album I have heard since ‘Evil Friends’ by Portugal. The Man. And with a back catalog that has songs such as Wolf Like Me, Staring at the Sun, this band’s live shows do not disappoint. There is a lot of DJ stuff in their sounds, and a lot of live instruments as well. I don’t mind either way simply because they have created a very refreshing new sound that you can sing along (Happy Idiot), dance to (Lazerray) and even get charged up ready to smash some windows (Wolf Like Me). I also do hope they start playing Right Now – easily the best dance track of their entire catalog – on their shows. ‘Seeds’ is an album I will always associate with the summer of 2015 and everything it felt like. I still do need to properly explore their back catalog and will be on the lookout for their next album/tour. Strongly recommend this band!
24. Brandi Carlile at Hinterland Music Festival, St. Charles, IA: Country music has always been at the wrong end of my taste spectrum. I have always felt that mainstream country has its focus more on song structure, sound and lyrics and not much on creating new melody (kinda like blues too). Brandi Carlile is one of the exceptions and I fully enjoy her music. Her show was high energy with the entire crowd singing along to most of the songs. But I have to admit, the highlight of the show when she got the members of the Old Crow Medicine Show join her on stage to play a bluegrass version of Led Zeppelin’s Going to California! She poured her heart and soul into singing the high pitch portions of the song, and it was truly impressive and powerful! That’s when it hit me that here is a bluegrass band and a country singer covering a rock n’ roll classic by Led Zeppelin. I suppose all is well with mankind after all. I am looking to see her in concert this month (June) again in Des Moines, and I know I won’t be disappointed.
Honorable mention to Old Crow Medicine Show and a not so honorable mention to Edward Sharpe and the Magnetic Zeros (Edward Sharpe was drunk and high and could barely get himself to sing to the most basic standards. Shame on him for such lack of professionalism).
It appears that I am now able to actually conjure up Part 2 of a post, as opposed to simply intending to do so. So here is the Part 2 (of 4) for reviewing the concerts i went to in 2015 – the best year on record for me. Part 1 can be found here.
9. Tame Impala at Uptown Theater, Kansas City, MO: One of the few bands that I have become a superfan of in the past 2-3 years is Tame Impala. Kevin Parker is well on his way to become a truly versatile musician and producer. ‘Lonerism’ was one of the best albums I heard in 2014, and his latest album ‘Currents’ is even better. However, the concert was scheduled prior to the release of his latest album (a practice I am not particularly a big fan of). So even though he did play Let it Happen, Eventually, Cause I’m a Man (he did NOT play The Less I Know the Better), I was not familiar with them. But he did play most of ‘Lonerism’, so that pretty much got me my money’s worth. In fact, it made up for the last time I saw them Live and missed half their show.
I have to admit this was the most ‘psychedelic’ show I had ever been to. The visuals, of which there were plenty, pretty much consisted of hypnotic wheels, laser beams generating abstract images, and pretty much just dope shit. I suppose that is the kind of stuff one sees when they are on shrooms, but I wouldn’t know (gotta fix that!). Quite fitting the band’s music for sure. I am definitely looking forward to seeing them live again when they play their new album – especially now that I know it inside out!
10. Dave Matthews Band at Wells Fargo Arena, Des Moines, IA: I got on the DMB wagon way way late. In fact I got on it so late, that I found out many people who were on it had gotten off it! I eventually learnt that his group of fans were the kind who get overly obsessed with the man – to the point where they know every single song he has made, and also believe that he can do no wrong. This would typically generate a hype among his super-fans that could appear manufactured for the non-super-fans. And I can totally see why this could be putting off for folks who do not want to be identified with the super-fans. As far as my own discovery goes, I had no clue about the overly obsessive mindset of his fans. I just happened to buy ‘Crash’ at a sale and proceeded to listen to it, and I loved it. Then I listened to ‘Busted Stuff’ and then to ‘Under the Table and Dreaming’ and loved all of it. Then I found out he was playing in Des Moines and went to the show with a friend. I still listen to him and will continue to do so and go to more concerts if I can.
Now about the show: I will go ahead and say it – DMB is in the top 3 shows I have ever seen in terms of pure musicianship. The other two being Steven Wilson and King Crimson. In fact, it is probably safe to say that Dave Matthews was the worst musician on stage. And the fact that that is a compliment should indicate how good his bandmates are. (I could easily say that about Steven Wilson as well). The band first played an acoustic set with Dave looking remarkably sober (to which my friend reacted “I didn’t pay all this money to see Dave play sober!”) and then played an electric set (with the ‘sober problem’ quite evidently fixed during the break). This being my first DMB show, it was truly fantastic to see how the whole crowd seemed to know the words to each and every song that he played. (Super fans indeed!) And with such a huge back catalog, the band plays a different set every night, preserving the element of surprise (or disappointment) for everyone.
With that being the state, I was pretty satisfied with the final setlist. He played most of my favorites #41, What would You Say?, Ants Marching, Space Between and, of course, Grey Street. Sure I would have loved for him to play Satellite and Jimi Thing, but hey there is always another time. Overall it was a very energizing experience being around such passionate fans jumping and singing and screaming all the time – something I will remember more than just fondly. And I truly mean it when I say I had no business being there in the first place – unstoned. Gotta definitely fix that next time! And trust me, there WILL BE a next time!
11. Esperaza Spalding at Wooly’s, Des Moines, IA: I like to play bass guitar. Esperaza Spalding plays bass guitar, and she is pretty good at it. That was pretty much the reason I went there. And she did not disappoint. Now imagine how well you can recite the English alphabet. Pretty easy right? Perhaps something that you can just play around and still get it right and not even put in any effort at all. It’s like you just own the whole act of reciting the alphabet. Playing bass is Esperaza Spalding’s equivalent of reciting the English alphabet. It was not just her skill I was impressed with. It was the fact that she made it look so god damn easy that blew me away. I just cannot emphasize that enough. She not only made the bass guitar sing, she also made it dance, headbang, clap, jump up and down and just make the crowd completely forget that it was just nothing more than a god damn bass guitar. Lots of funk, some reggae, some rock, and lots of jazz and a whole lot of fun! I may not explore her music separately but will definitely be going to see her live again if I get a chance!
12. Shania Twain at Wells Fargo Arena, Des Moines, IA: My one true guilty pleasure, and honestly I don’t think I would even think twice about calling it guilty. ‘Come on Over’ was one of the first albums I fell in love with back in high school. My friend and I were totally looking forward to this for months together. Unfortunately, the timing of certain events led to me just go there by myself. I have to admit I couldn’t enjoy the show as much as I had anticipated I would due to the circumstances, but I did see her play all the songs I wanted her to – Man! I feel like a woman!, Don’t be Stupid, Rock this Country, From this Moment on, You’re still the one, I’m gonna getcha good!, and of course, That Don’t Impress me Much! This was probably her last tour, so I am glad I got to see her. The venue was packed to capacity and I have to admit I was surprised to find a lot of dudes – much more than what I had expected!
13. The Aristocrats at The Gaslamp, Des Moines, IA: The Aristocrats is a band that consists of Marco Minneman, Guthrie Govan (both of whom play for Steven Wilson’s band) and Bryan Beller. I had missed out on watching Marco and Guthrie play with Steven as they were doing their own thing with The Aristocrats. But no worries. The band decided to play at The Gaslamp! (First reaction when I heard about it: “Wait, what? The fuckin’ Gaslamp? If I tried hard enough, I could get a gig for myself there!”) It is an almost dive bar with a makeshift stage and a room with a capacity of about 100 max, and it is just about 2-3 blocks from my apartment. And The Aristocrats played here. It was surprising to the point of being plain ridiculous. But it did happen, and 3 musicians put up a great show. There was a crowd of about 80 or so and the band played great music – mostly instrumental. It was not a jam band by any means, but a band which use their instruments to play precise songs. Smuggler’s Corridor was my personal favorite (apparently inspired by the Breaking Bad scene where Walt kicks a barrel full of money across the desert). All in all, I was majorly satisfied to see some of my favorite musicians play at the fuckin’ Gaslamp, of all places! Still don’t believe it!
14. Beach House at The Slowdown, Omaha, NE: One of the other bands (after Tame Impala) that I have become a super fan of is Beach House. This band simply makes some of the most depressing, melodious, poetic and ultimately beautiful songs I have heard in my life. I saw them at The Slowdown, which has become my personal favorite venue in all the Midwest – a very intimate place where everyone gets to see and hear the band optimally. Put it the other way round, I would say that Beach House is the kind of band you want to see at The Slowdown.
I cannot praise the band’s Teen Dream album enough. It is one of the most depressing albums I have ever heard and it is an album that I can never simply play in the background. It will always demand my full attention and require an emotional investment every time I choose to listen to it. It is THAT intense. The concert was exactly like that – intense. Nobody in the crowd said a fucking word throughout the show. (It probably helped that the band had the venue paste notes asking the crowd to maintain silence throughout the show). And neither did I. I was more than happy to just shut the fuck up and let the music do the talking. And speak to me it did. Songs from ‘Depression Cherry’, ‘Teen Dream’ and ‘Bloom’ concocted a feeling of great satisfaction and contentment – something that told me that I had everything I ever needed and that it was now time to give something back. And if I am to be very specific and honest, I will say that this was the show where I felt the strongest connection to the band and to the music – something that even led to the minor epiphany during Lazuli. Sure they didn’t play that one song (10 Mile Stereo) that I had believed would push my experience into the plane of higher consciousness. But in the end, they didn’t need to. Wild, Myth, Silver Soul, Walk in the Park, Other People, and Lazuli were sufficient to take me to that other place and gently guide me back to earth.
I will always cherish this particular show. It reminded me of the Sigur Ros show that I saw in 2013 – a spiritual experience that had to be set aside from all the other shows I have been to. I almost decided to make the drive to Lawrence, KS to see them live again the following evening. And next time I just might.
15. Kraftwerk at Arvest Bank Theater, Kansas City, MO: Honest to God, I didn’t even know the band members were still even alive until a couple of years ago. I have had an exceptionally memorable bond with this band. ‘The Man Machine’ was, after all, one of the first albums I fell in love with when I was just a 6 year old kid. I would play the cassette, close my eyes and imagine that I was on a spaceship with the band playing the songs to an ecstatic crowd. And late last summer, there I was, watching the band play their best hits. It may not have been a spaceship, but fuck you, to me it was!
First of all, it was a 3-D show. That is correct. A 3-Dimensional show where the band members stood behind their keyboards in some kind of a glowing space suit (I told you it was a god damn space ship!) and mind-fuck visuals were beamed on the screen behind them in 3D. The crowd were given 3D glasses for the show and the visuals were definitely very creative and detailed. It included a virtual race circuit for Autobahn, a Fritz Lang inspired Metropolis for, well, Metropolis, a bullet train for Trans Europe Express and so on. There was even a sequence during Spacelab where a spaceship landed in a spot that was clearly made to look like downtown Kansas City. And so yes, again, fuck you! I was in a god damn spaceship! (Don’t you dare mess with my childhood dream!)
Seriously, the stage just consisted of the 4 dudes and their keyboards. Nothing else, no one else. And I have to admit it was hard to figure out how much of their music was pre-programmed and how much of it was played live. But I don’t think that really mattered much. The setlist was pretty much their Greatest Hits, with an added bonus of them playing the full The Man Machine album! This included an encore where they played The Robots with 4 actual robots in place of the band members. Pretty cool really. Computer Love, Radioactivity, Autobahn, Trans Europe Express, all their best songs were played that night.
I truly wished it was not a seated show and instead consisted of sufficient amounts of alcohol consumption and general bad dancing and overall merry making in a standing show. But hey, I don’t think I can complain at all. The first thing I did after the show was call up my dad and tell him how exciting it was to see the band that he had introduced me to when I was a kid. I do wish I could have taken him to the show, I know it would have meant a lot to him, but alas, there was this small issue of him being half way around the world from me.
I will always be glad that I got to see the band play live in my, and more importantly, their lifetime.
16. Mark Knopfler at Chicago Theater, Chicago, IL: Mark Knopfler has a very special place in my life. Dire Straits was the first band that I truly fell in love with – well before I discovered Pink Floyd. I knew nothing about the band, but a cassette I rented in my high school became the start of a great bond that I would develop with the music and lyrics of Dire Straits. It was the band that began the ‘mellowing down’ process of my later adolescence, heralding a transition from all things metal to something more nuanced and melodious. I had the opportunity to see him open for Bob Dylan a few years ago in Omaha. But I knew that show did not do justice to his vast catalog and to his own deserved place as the main act. But this one did – for the most part. I am not going to dwell much on the fact that I have never seen any artist be so bored and uninterested in singing some of their own songs as I did with Knopfler singing Sultans of Swing and So Far Away. And the reason I am not going to dwell on it is because of what else he played, and played supremely well.
With every artist, I have a few songs that I truly love. These are not necessarily B-sides but maybe even like C or D sides, so to speak. They are almost never performed live and you will rarely hear them on the radio. I tend to strongly associate these songs with certain emotions, a specific state of mind, a place, a vision from the past, a vision for the then future, a certain someone, a feeling of what could have been perhaps, some regret, an awareness of the desire for a different set of outcomes in the past, and some inevitable, leftover hope for the future. And it has typically been an unfulfilled hope to see these songs played live. So when Mark Knopfler played two of those songs – On Every Street and Your Latest Trick – it actually took me a few seconds to figure out what song he was actually playing. I hadn’t heard them in years in an apparent attempt to isolate and box all the feelings, emotions and memories that came with it. And I had been largely successful at it too. Because when those memories came flooding back to me at the Chicago Theater, they were all firmly in hindsight; and I was looking back with a sense of sympathy and mature acknowledgment, instead of nostalgia and regret. It was a powerful experience being there and watching him play those two songs that captured so much of my later adolescence so deeply.
In the end, it almost became that everything else was a bonus. But that would be not only unfair, but also plain incorrect. Romeo & Juliet, Paraguay, Privateering, and Theme from Local Hero all stood out on their own. And at the end, I felt that I had finally laid to rest a longing from my adolescent days to see Mark Knopfler live and to see him play those songs that could have very well been the soundtrack to those times.
When I wrote about the concerts I had been to in 2014, I firmly believed that 2014 was as good as it could have gotten, and that 2015 could never really surpass that. I even wrote so in that post. Well, here I am, writing about my 2015 concerts (admittedly late) and being so happy to have been wrong. Thanks largely to my wild wild summer and me putting in those extra efforts to go to see the bands, 2015 ended up exceeding my wildest expectations. I saw about 40 to 50 bands (probably more) in total including some 30 or so of whom I actually wanted to see. So I am going to have to write 4 parts (primarily covering only the bands I actually wanted to see) to this thing to keep the length of the posts manageable. I may even have to skip a few bands but hey that is something I can live with. So here goes:
1. Foxygen at Blue Moose Tap House, Iowa City, IA: This was the first concert I went to in 2015 and it was by far the worst show I have ever attended. I really like the band. Their (then) new album ‘And Star Power’ had some particularly good psychedelic songs (See Cosmic Vibrations). And I was looking forward to see them live. But then this was what happened: The lead singer was very likely coked out of his mind and he was jumping around all around the stage like a madman. That would have been an energetic show in a good way except for the part wherein he rarely, if ever, held the mic near his mouth – essentially making him completely inaudible for most of the show. And when someone in the crowd shouted “I can’t hear you. Sing to the mic!” his response was “This is fuckin’ rock n’ roll man!” – as if the genre he was singing permitted him to be unprofessional on stage. And then just when I was getting into the groove of the show, it was over. It lasted just about 40 minutes and the band left the stage abruptly.
So here are my two middle fingers to your lack of professionalism Mr. Sam France. Rock n’ Roll deserves better than you.
2. Mini Mansions at Wooly’s, Des Moines, IA: This is one of the bands I began to explore after I found out they were playing at Wooly’s. Simple songs (See Death is a Girl, Vertigo) with good hooks and better than average production value. Their entire album is worth listening to on repeat and the songs sounded every bit as good live. It was a 3 piece band that remained rather quiet in their performance – which was surprising considering the lead vocalist is the bassist from Queens of the Stone Age. I did thoroughly enjoy the basslines through all their songs; in fact I will go ahead and say that that is their strength. Having said that, I did always feel that their self-titled album was not just a good album, but more of a missed opportunity to be a great album. So here is to hoping they make an even better one next time!
3. Royal Blood at Wooly’s, Des Moines, IA: This band was actually the main act with Mini Mansions the opening act that night. Can I just say that they blew my mind? Yes I could, and that would be an understatement. To start with, this is just a 2 piece band. Drummer and vocalist who also plays this bass guitar that also somehow, by magic, plays the lead (or is it the other way round?). No kidding. A weird set of pedals and other mysterious objects let him play the lead and bass at the same time. The riffs that come out of this monstrosity of an instrument reminded me of Led Zeppelin when they were at their best. Not just in the sound, but more in the attitude and rock-out-ability (whatever that means). Add to this, meaningful melody and lyrics that make you want to just get up and punch someone (I got a gun for my mouth and a bullet with your name on it; But a trigger full of heartbeat pulling from an empty pocket) – and all this makes the perfect potion you want to drink just before you go to war. The duo put on a high energy show too and everyone at Wooly’s left feeling energized and clearly ready to punch someone in the face!
4. Grace Potter at Brenton Skating Plaza, Des Moines, IA: I am just going to go ahead and say it: Grace Potter is the best performer I have seen in my entire life. She will probably continue to be a mid-size venue filling and late afternoon festival spot filling artist for the rest of her career. But that will never tell the full story of the quality of the music, the spirit of her lyrics, and most of all, the energy of her shows. This was the 4th time I saw her Live, and was probably the best experience of them all. Couple sufficient alcohol consumption with friends who know all the songs (like I do) and who want to dance the entire night through (like I do) and the stage was set for an extremely memorable night. She debuted her solo stuff but the highlight was always going to be the stuff she did with The Nocturnals. Songs like ‘Loneliest Soul’, ‘Keepsake’, and ‘Turntable’ are the kind that get even the most uptight person in the groove and dancing. I haven’t checked out her solo album, but I am hoping it is as good as ‘The Lion, The Beast, The Beat’. (Good news is that I will be seeing her again this year).
Special shout out to Jessica Lea Mayfield who opened for Grace Potter. She has the second most depressing song I discovered in 2015 (I Can’t Lie to You, Love).
5. Umphrey’s McGee at Brenton Skating Plaza, Des Moines: A friend of mine (who has lost count of number of times he has seen UM Live) had been continuously suggesting me to watch them Live. One fine day last year I did. I almost didn’t, but then I found 2 willing friends and I did. They played for over 3 hours with about a 20 min break in between. What I realized was that it didn’t matter if you have never heard them play before or haven’t heard their name. Their music was just phenomenal, and the light show was on par with the music. They even covered David Bowie’s Let’s Dance (well before he passed away). It is a band that you have to go see as a matter of general principle if they are playing nearby. They are playing again this summer and I intend to see them.
6. Steven Wilson at Barrymore Theater, Madison, WI: Perhaps the concert I had been looking forward to ever since I had seen him 2 years before that. He had just released Hand.Cannot.Erase and I totally wanted to see him play live. He did not have Marco (drums) or Guthrie (lead guitar) but he had equally capable replacements. He played the full HCE album interspersed with some of his older solo stuff. The highlight of the show, however, was Routine from HCE. He introduced the song as the most depressing he has ever created, and I tend to agree with that. But what I wasn’t prepared for was the visceral, heart breaking animated video that played on the screen for the entire song. I promise you most of the people in the crowd were either ready to burst out in tears or were already shedding them by the time the song ended. I myself was no exception and I rate that to be one of the most intense experiences of my life. The video wasn’t released online until the end of the year and was only played at his concerts, which preserved the exclusivity of that experience that much longer.*
In addition to HCE, he did play Lazarus, a song that I love and one that he hadn’t played when I saw him play with Porcupine Tree in 2010. So that closed the circle on that in some way and I was truly happy. He also played Sleep Together, another PT song, but I cannot remember if he played that in 2010. I do wish he would play more from The Raven.
The thing that did pleasantly surprise me was that he engaged the crowd frequently and on things he had something to say about. He spoke about making depressing music (“…as opposed to what else?”), accepting grief and loss, his new signature guitar, and even singled out a group of people he had spotted at the previous show (“You realize it is the same shit every night right?”). I had taken a friend of mine who had never heard about him to the show and he was mightily impressed. It was best encapsulated with his first comment as soon as we got out of the venue: ‘I need a drink’!
* I did see SW again this year in Chicago and it was only then that I saw the Routine video for the second time even though I could have seen it online by then. In any case, the 2016 show led to a series of events I couldn’t have imagined in my wildest dreams.
7. Lake Street Dive at Simon Estes Amphitheater, Des Moines, IA: I think this is a jazz band. There is jazz for sure, but there is some indie rock in there as well. So call it what you want. But there is no denying that voice will capture your attention anytime you hear it, and more so when you hear it Live. The band played a stripped down version of their instruments because of some unknown reason, but that barely seemed to matter at all. The band could have been non existent and then just the vocals would have been just fine. They played most of the songs from their ‘Bad Self Portraits’ album except for the one that I believe is their best song (Just Ask). But hey they covered Hall n Oats’ Rich Girl, so that was awesome! Also, did I mention about that voice?
And I am seeing them again this summer!
8. Electric Six at Vaudewille Mews, Des Moines, IA: I dare anyone to listen to Electric Six play High Voltage live and not be jumping around for the entire duration of the song. Come to think of it, pretty much all their songs are like that – which meant I was jumping around for pretty much the entire duration of their show. (Actually listening to that song right now as I write this at a coffee shop, I just want to start jumping around right here!) I had listened to their songs only in passing and found them to be rather upbeat intended to make you get the fuck out of your couch and do something – preferably along the lines of smashing something within immediate reach. When played live, however, that smashing-things-around-you turned out to just be the baseline. The only way the crowd could express their energy was by jumping around or headbanging. I chose the former. And I honestly do not remember a single concert where I was jumping through the whole damn show. I am fairly certain I do not possess that energy and which is why I was surprised to find myself do just that at that show. Now if only I could go to an Electric Six show every morning, I would probably end up that much more productive at work.
Well at least they are playing again this year, so once a year is good enough I suppose!
Next part will include my experience at the 8035 and Hinterland music festival: Wilco, Weezer, Lettuce, TV on the Radio, St. Paul and the Broken Bones, Brandi Carlisle, and many more.
I am writing this post sitting in my car and watching a bunch of workers install a drilled shaft foundation for a bridge in western Iowa by the Missouri river. I am about 120 miles away from home and have been here for the past couple of cold and windy months. I stay at a hotel, drive a rental car and eat out every day. I get to go back home for a couple of nights on the weekends but I am always back here Monday mornings. I don’t even bother to check out of my hotel when I go home because I know I am coming back there in a couple of days. And every time I come back to the room, it is exactly how I left it – empty and desolate. I have lived this lifestyle for long stretches before, and I shall be doing so once again till the end of this winter.
Traveling is an inevitability for a civil engineer. And in the initial stages of my career, these visits typically last several months at a stretch. It means being away from home for long periods of time. It means I don’t get to eat home cooked food, sleep in my own bed, listen to my records, hang out at the neighborhood bar, or even see familiar faces for a while. Yes once a week or two, I get to do most of the things above. But the lack of continuity makes it that much harder to fully dwell in its satisfaction. And in the end, I usually find myself unable to build on the connections back home, and being short on time, opportunity and desire to forge new ones on my travels.
The hotel room is one of the loneliest places on the planet. It is not a prison, yet I feel trapped in the inevitability of my own solitude in it. The hotel may even be filled with such people – each in their own rooms – people who have nothing but the silence of the inanimate furniture to return to in the evenings. And I am one of them. I return to a newly made bed, emptied trash can, new set of towels, vacuumed floor, new soaps and shampoo – all done by nameless, faceless people I never get to meet or thank. Expectations of the paid orderliness has become a part of my everyday lifestyle. But it has always failed to offset the glaring absence of anything living or breathing to come back to. Instead, the hotel room has only provided the comforts that were absolutely necessary – those that would have been noticed only in their absence.
I have always cherished the privacy offered in the hotel room. But I have also sought for something that is one step ahead of privacy – anonymity. Nobody bothers me once I am in my room, and I truly like that. But for whatever reason, I wish to be not noticed at all when I am in the hotel but outside my room. Perhaps I get a little self-conscious coming back from the field with my boots and clothes caked in mud. So over the course of my stay, I have found a very convenient work around for this. I simply choose hotels that have a side/back entrance with an elevator close to that entrance, and I ask the hotel to assign me a room close to that side/back entrance. With this, I can simply park my car next to the side/back entrance and quietly slip into my room unnoticed. And this one small thing has provided me with a great sense of fulfillment – a satisfaction for a need that I still, however, cannot clearly define.
And once I am in, the reality of the hotel room – in all its limitations and absences – begins to sink in – which is why I have almost always tried to stay away from my room once I am back. The only sustainable activity for me inside a hotel room would be reading a book. And since I can only read so many books, I try to get out and explore – seeking out new restaurants, coffee shops, record stores and watching a lot of movies. Which brings me to my next point of discussion – eating out by myself.
Eating out alone ranks only slightly lower than going back to an empty hotel room in the list of loneliest things I can do. And it is almost as depressing as cooking food and having to eat it all by myself. It was only a couple of weeks ago when my friend asked me a question did I realize something fundamental in the choice of restaurants that I frequent. Her question was simple: “Do you usually sit in a booth/table or do you sit by the bar counter?” I answered, “Usually by the bar counter, unless the place doesn’t have one.” And when I thought about it a little more, I realized that not only do I prefer to sit at the bar counter, but also that I tend to stick with/revisit those restaurants that have the bar counter. But, the question was, why?
I have come to believe that the booth/table includes a certain expectation of occupancy that does not apply to the bar counter. There is a sense of zoning and clearly defined capacity that goes with the booths – a separation of groups, with each group occupying part of or the full table/booth. The larger space available in a booth, I believe, is meant to be occupied, and not to be left alone. So when I see a single person in a booth, the absence of additional people filling the empty seats turns out to be more conspicuous than the guy/girl actually sitting there and eating. And at that point, the perceived expectancy of occupation is not met and I feel that there is something out of place there. Which is what I try to avoid with myself by instead sitting at the bar counter.
The bar counter, on the other hand, has none of these features. It is a continuous zone which does not have a beginning or an end, and definitely no pre-defined capacity associated with it. People of different group sizes can sit at the bar counter with absolutely no perceived expectancy of occupation. People eating alone can sit at the bar counter and the empty stools around them will not appear conspicuous in their non-occupancy. And this suits me just fine. My mind will not worry about the empty seats around me and I can instead just focus on the food.
So yes, I prefer restaurants that have a bar counter and I feel comfortable and not incongruous with my surroundings. But as much as that may provide a slightly satisfactory platform to have my meal, the fact that I am performing the activity by myself is what I seem to carry with me on my way out of the restaurant and into my hotel room.
Sometimes I just miss being home. I think about kneeling down on the floor, going through my record collection, picking out one of my recent acquisitions and placing it on my record player. As the record starts spinning, I go back to sit on my couch and get comfortable, waiting for the music to take me places. The needle lands on the record setting off a few pops and crackles before the music fades in and slowly takes over my apartment and my world. And just as I am about to give in and go on this highly anticipated journey, I open my eyes – instead making the trip back to the less desirable universe of me sitting on my bed and trying to read my Kindle in my hotel room. I sigh, quickly try to shake off the memory like it was a bad dream and go back to my book.
But it is not long before I make another journey to the more desirable universe. This time I am at my neighborhood bar with my gin and soda, looking at my phone and trying to decide which song to play on the jukebox. I make a selection and look around the bar to see if anyone else I know has showed up. I have already said hi to the regulars and am now talking with one of my close friends who just got a new job. Somebody in the crowd around me then decides to buy a round of shots to celebrate something – or nothing. I call for a Butter Crown. The bartender brings everyone their shots and we say cheers and bring our glasses together. I can already smell the Crown Royal in my shot as I bring the glass to my lips to drink it. And just as I am about to do my shot, I am unceremoniously ushered back to the less desirable universe by a new text on my phone. The Kindle in my hand then makes me aware of my temporal travels to a better place. And the moment of return and the associated disappointment work together to tarnish the memory of the more desirable set of circumstances.
I look at the clock and decide to call it a night. I turn off the lights and slip under the blanket telling myself that I will be traveling to a lot of different universes in the next 6-7 hours – most of which are likely to be more desirable than the one I currently find myself in. And as I close my eyes and let the sleep drift into me, I can still smell the Crown Royal in my shot – and this time I drink it.
I suppose it isn’t fair to portray my experience traveling for work purely in such a morose, bleak and gloomy manner. I do get some perks as part of it – I get to see a lot of different places in the state; I make significant dough working long hours in the field; all my loyalty programs get a big boost – hotel stays, car rentals, etc – which I have redeemed for great satisfaction in the past; I have even seen plenty of concerts during my travels.
So whether to look at the whole experience as a painful one which comes with its own perks, or as too high a price to pay for getting something that may not be absolutely necessary is up for debate. I am acutely aware of how many things I am missing out on, and how many times I have questioned myself if I’d rather be somewhere else. But I am largely tempted to rationalize my choices and circumstances to make myself feel better, so I will probably pick the former.
I am still sitting in the front seat of my rental car. It has been a few days since I started writing this piece. The sun is out today on a rare clear and slightly warm day. And I am enjoying it pretending to be completely oblivious to the snowstorm due to hit the city in a few days. I am scheduled to work late night tonight and will continue to be on site till the end of this month. At the end of it all, I hope to go home to sleeping in my own bed, cooking my own food, familiar neighborhood and familiar faces, a bigger bank balance, and plenty of free hotel stays and car rental days. And till then I have my desolate hotel room to go back to, the bar counter to feel inconspicuous in, and weekend trips back home to remind myself of what awaits me at the end of my stay here.
PS: A couple of hours after I finished writing this in my car, I learnt that I would be staying here, working through the weekend. So much for looking forward to being reminded of what I do not have – even if it was just for a couple of days.
I am exhausted. And I may even be writing this just to get that point across. I am also writing this on my 30th birthday – which is apparently a significant thing. Apparently, I am now old, can be officially called an ‘Uncle’, and as my parents and relatives subtly remind me – my prospects in the arranged marriage market have now taken a deep hit. I am also writing this 2 days after my birthday celebration which involved the highest rate of alcohol consumption and (rather short lived) general feelings of invincibility I have experienced in the last 5-6 years – a combination that culminated in my very own “I AM A GOLDEN GOD!” moment (OK maybe not that dramatic). I am also writing this after a full day and a half of (completely necessary) recovery. But more importantly, I am writing this at the end of a wild, wild summer.
I AM A GOLDEN GOD!!
The idea of seasons took its time for me to get used to. It was at least 2-3 years after my arrival in the US that I realized that I cannot be as active in the winter as I am in the summer. And more importantly, that it was OK not to be going out and traveling all the time in the winter. At the other end of that realization was my effort to be as active as possible during the months of April to October. It is a change in my lifestyle that I have come to accommodate over the past few years, and am now actually quite content with the new mental states that I find myself in at various times of the year.
For the past few years, ever since I started working, I have tried to reach a particular point in my mental state around late October/early November. It is a state of mind wherein I can honestly tell myself, “I have done everything I possibly could this summer, and now I am ready for the winter.” I have been largely successful these past few years in achieving that state of mind around October/November – just in time for the winter to set in.
This year, I reached that state of mind in the first week of August.
This summer has been one long continuum punctuated with concerts, music festivals, weekend travels, night-outs at bars, work, poker, games of Settlers of Catan, games of bags (a.k.a Cornhole), lots of records and CD shopping and of working out. It has had its moments – from very intense and stressful to very peaceful and relaxing. 4 trips to Chicago, 4 to Kansas City, twice to Wisconsin (including my 4th visit to House on The Rock is as many years), 3 music festivals, 3 night-outs at an establishment that I’d rather not specify (one of which culminated in my rather memorable 530 AM question “Is that the fuckin’ sun?“), 30+ bands seen live, a month long stay in a resort at Storm Lake (for work), God only knows how many gallons of alcohol consumed, late late nights (more like early mornings) at the neighborhood bar, God only knows how many new friends made, and all this while working on a high profile highway project in the state of Iowa.
This is probably the point I post a meme summing it all up:
Yes. It was really exhausting. And I would do it all over again.
In all seriousness, I reached a point of complete exhaustion the first week of August. I had been on a non-stop schedule of weekend travel/concerts/general fun for over 3 months. And after my trip to Milwaukee the first weekend of August, I just felt I was done – which was really understandable. But the fact that I did not have any concerts/travel scheduled for the next 3 weeks made the timing just spot on. So the break was most welcome, which I spent doing exactly nothing. (OK I will admit I continued my obsession with Japanese crime novels during that time.) And towards the end of August, I got my energy back and was traveling around all over again.
In the end, I look back at these past 6 months with a sense of satisfaction that I haven’t felt in a while. This satisfaction came with a new found appreciation for just being fortunate enough to have the time, resources and physical ability to do all the things I did. It also came with a sense of pride for realizing that my passion and curiosity for exploring what’s out there are not going away. It came with the true understanding that I am really only as old as I want to be. It also came with the realization that I have a group of friends that I can truly depend on, and a neighborhood that I can call my own. This is the closest I have come to feeling like I am home here in the US, and I truly feel fortunate that I have all this.
My 30th birthday celebration was probably the last ‘exhausting’ activity this year. My concert calendar is now empty till January, and I am going sober for the next 4-5 weeks. But perhaps, more importantly, my parents are going to be here a week from today for a month. What better way to do the cool down lap this year than just feasting on mom’s food? There may yet be one final weekend trip this year where I get to take my parents out.
But all in all, I can confidently say that yes, I am indeed ready for the winter.
As part of my continuing effort to lead a stress free lifestyle, I decided to try something new. I decided that I would not make any decisions for a full weekend*. This was largely inspired and based on the ideas of ‘Decision Fatigue‘ and ‘Ego Depletion‘. In a nutshell, those two ideas convey the fact that the human mind only has a limited pool of energy or resources that can be drawn to evaluate options and make decisions on a day to day basis. It also follows that after a long session of decision making, our ability to make correct (or any) decisions decreases significantly because of this mental fatigue. I guess in a way, this is a fairly elaborate academic way to explain the seemingly banal idea of ‘getting stressed out’. But you get the point. Making more decisions takes away more and more energy from your mind leaving you tired at the end of the day. Activities such as doing nothing or sleeping help replenish that source of energy for use at a later time.
Minimizing the number of decisions we make is a fairly popular approach to reduce stress levels. Steve Jobs and President Obama both implemented this idea in their everyday lives. And so do professional poker players. I just decided to take it one step further. I decided to make absolutely zero decisions for a full weekend. On Friday morning, my plans for the weekend consisted of me driving to Chicago that afternoon to see Mark Knopfler at the Chicago Theater, stay over at my friend’s place that night, meet another friend Saturday evening, and drive back home Sunday afternoon. Apart from this, I had no additional ‘plans’ to do anything at all. So it was then that I decided to make absolutely zero decisions from the time I left home till the time I got back. To be more specific, I decided to not think about the options in front of me when confronted with a decision. Just pick something and go with it if I really have to make a decision.
So that was how my No-Decision-Weekend started. I listened to BBC or NPR for the whole drive, switching between them only when I got really bored with one of them. Never bothered to explore the dozens of other music channels that Sirius XM had to offer. Reached Chicago and went to see the concert. Mark Knopfler was great, though I wish he had put in some effort – any effort – to actually sing the lyrics to Sultans of Swing instead of just speaking into the mic. But he more than made up for it by singing (and singing well) Your Latest Trick, Romeo & Juliet and my personal favorite On Every Street. So I left on a high, went to my friend’s place, had a beer, did small talk and went to bed at 130 AM. NDW Friday was a success.
NDW Saturday started with my friends asking me if I would be interested in an Apple festival that was taking place in Lincoln Square that morning. Clearly, there was a decision being asked of me. And I firmly declined to make it. I would go wherever it was they wanted to go. So, I found myself in Lincoln Square in a farmer’s market styled festival with lots of apples and apple related dishes – everything from apple pies, apple donuts, apple sauce, apple on stick, caramelized apples, and a bunch of other appley things that I had no idea about. Now I like apples myself but was never a fan of the sweet stuff that Americans tend to make out of it – like pies for instance. Never liked them. But all that changed because my friend declared that it was time to eat apple pie and drink coffee. Clearly I was not going to be objecting to that as that would require me to suggest an alternative and that involved making decisions. So I got an apple pie with some whipped cream and took a bite of it.
You know, there are some times when just the act of eating something makes you feel like all is well with mankind and that everything will be OK in the end. And that at that moment, all that mattered was that you were eating and enjoying that thing. I don’t particularly remember thinking of the war in Syria and believing that it was all going to be OK in the end. What I do remember, however, was how that piece of apple pie just melted in my mouth and made me fall in love with a dish that I had actively avoided for a long time. Of course, there was still the coffee to be had, so we went into a coffee shop/bakery and got a coffee. I also found something that looked interesting. It was called a ‘Savory Tart’. I had never seen anything like it before, so I bought it. It was essentially a piece of bread/bun with some small amount of cheese along with some caramelized onions and red peppers on top of it. I took a bite of this ‘Savory Tart’.
It tasted just like the mega-super-awesome-all-award-winning-epic-unparalleled-phenomenon ‘Bread Toast’ that I used to eat at all the Bakeries back home in Bangalore. 6 years on, this was the first time I had found something even remotely resembling the Bread Toast from back home. Apple festival was clearly a great success!
But we still had an hour to kill after the festival. So we walked into a record store nearby. That record store was clearly planted right next to the festival just so I did not have to make another decision on where to go next. It is known. I had never been to this record store previously. It was a decent sized store with neatly organized records along with CDs, cassettes, movie DVDs and video games. I started filing through the records with absolutely no idea of what I wanted (which is how I usually go about buying records anyway). An hour later, I had a problem on my hands. I had 4 albums and had to pick 3 to stay under a ‘reasonably exceeded budget’. I had to make a decision. So I just totaled up 2 different combinations and went with the one that cost me more. Ended up getting Illmatic by Nas, Hounds of Love by Kate Bush and Songs in A&E by Spiritualized. Problem solved! (Sorry Slowdive!) But it was only when I went to the counter to pay for them that I had perhaps the most interesting conversation that whole weekend.
There was a guy and a girl at the counter who were managing the transactions. The girl (who was around my age) called me over and I handed her my records. She started punching numbers into the computer.
Girl: It is going to be $80.
Me: OK. Here is my card.
Girl (running my card): Do you want a copy of your receipt?
Girl: Please sign this for me.
Me (signing): Here you go.
Girl: Do you want paper or plastic?
Me (still not making any decisions): Anything is fine.
Girl is now picking out a paper bag.
Me: I am not making any decisions today.
Girl (putting the records in the paper bag): Then who is going to make them for you?
Me (pointing at the paper bag): Well apparently, you just did!
We all laugh (including the guy waiting behind me in line).
Girl: If you come back later, I will help you make some more!
I have to admit. That last comment by the girl caught me completely off guard. It took me a few seconds to process what she had actually said and evaluate its potential implications. And it didn’t help that there were a bunch of people waiting in line behind me to make their payments. And by the time I realized I still hadn’t responded to it, she was already processing the next guy’s transaction. I guess I should have asked her her number or something. Or perhaps when she was getting out that day. But oh well, maybe next time.
We then went to Devon St, where the Indian settlement was, for lunch. I already knew where I was going (Udupi Palace) and what I was eating (Bisi Bele Bath). I also knew what I was going to order for my friends (who are American) – Lunch Thali. Once the lunch thalis showed up, I had half a mind to just sit back and watch my friends eat all the different dishes in no particular order or combination – hoping to see them eat HapLa dipped in Paaysa, or mixing the chapathi with all the other items there to make a big fat burrito. But I ended up explaining to them about all the items and what should be eaten with what and in what preferred order. They were able to appreciate it and enjoy it.
That evening, I met up with a friend who was clearly told from the beginning that I would not be making any decisions that night. She suggested we go to a particular bar and met up there. There she asked me if I wanted to go to a different bar, and I simply followed her. At the new bar, she asked me if I wanted to go to another bar and I said OK. I knew a few spots that I would have preferred myself in Chicago but I was clearly not making any decisions that day. So we ended up at the Liars Club on the edges of Lincoln Park. Before we went in, she described the place as a ‘divey night club’. I knew what a dive bar was (one of them is my home away from home away from home), and I knew what a night club was (though it had been over 2 years since I had been to one). But a ‘divey night club’? That sounded curious.
And when I went in there, it was exactly just that – a divey night club! I would not have put it any differently myself. Great place with people of all walks of life – from bikers to hot college girls to a couple where the guy was old enough to be the girl’s father (Hey! Fuck you if you are judging!). And all the people just seemed real. Just like a good dive bar! A place where you could have a good conversation, where the bartenders did shots with you, and here you could even go to the dance floor at the end of the bar to dance to 80’s music being played by the DJ! (Special shout out to that mega-awesome Hispanic guy in his late 40’s with a dress shirt, dress pant and formal boots dancing all night long, making up his own moves and not giving one single fuck to other’s opinions about his dancing. If anything, a bunch of girls went next to him to imitate his dance moves and some went one step ahead and began grinding with him! What a man!)
Great place overall! Thoroughly enjoyed it and stayed there till bar close. I ultimately returned home to my friend’s place at 330 in the morning and went straight to sleep. NDW Saturday was an unequivocal success!
Sunday started with me waking up at 7 AM with no hangover. (Smug face!) I had to leave at around noon, so my friend and I went to get some coffee and breakfast at a nearby cafe. Had a great conversation for the next couple of hours and then I left Chicago. Reached home in Des Moines at around 6 and was thoroughly satisfied with my No-Decision-Weekend trip.
I suppose I achieved my overall objective of not allowing any form of stress to develop over the weekend. This was my second attempt at such a ‘break’, with the first one being done in the company of His Holiness as he elevated his enlightened self to Dr. His Holiness. Stress free vacations are very rare and extremely underrated. Deciding to not make any decisions during a vacation can be very liberating. It does not mean that you are not in control. It means that you have no expectations and nothing at stake. And if you have nothing at stake, nothing can possibly go wrong. In a way, my weekend worked out like the first half of that Jim Carrey movie ‘Yes Man’. I pretty much just said Yes to everything my friends suggested, and it made me experience new and awesome things I otherwise would never have come across. So maybe there is some truth in that movie after all!
Screw all the decision making and the unfulfilled expectations that come with it! As The Dude would say,
* Well, technically I suppose that was a decision, but fuck you if you are going to get all technical about it.
Clearly, this is becoming an annual event for me: recollecting and reliving the highlights from the previous year. This post may be 4 months late, but this is me not being concerned about it. 2014 was the best year for me so far with regard to concerts. The quality and quantity of concerts was so good that I even contemplated writing a mid-year review just so my annual post wouldn’t get too long. Since that did not happen, here we are gain. I am still splitting this into two posts. In any case, this is still a long post below – and only because I have so much to recollect and say.
1. Wolf Eyes at Mission Creek Festival, Iowa City, IA: My first true noise concert. This was held in the basement of the Yacht Club in Iowa City and started at 1 AM. The stage was about 8′ X 5′ and about 1 ft off the ground level. The crowd (including me) was exactly 3 ft away from the band. And I was also about 2 ft from the blaring speakers. The music (if you can call it that) of Wolf Eyes grew steadily in cacophony as their set went on. The noise of the guitar, the energy and intensity of the guitarist and vocalist (both of whom were jumping around so hard that they kept bumping into each other), and just the image of the noise-maker (that’s what I will call him) having a soundboard for a fanny pack and a gas mask on his face was sufficient to make my night. Their best song (again, if you can call it that) was their last one when all they did was create a 20 minute ‘jam’ with noise of all types and intensities. By the time that last jam hit its climax, I had an extremely strong urge to take the nearest chair and start smashing everything around me with it. And the fact that I couldn’t do so will remain as one of biggest regrets of my life. Such is the power of the music (again, if you can call it that) of Wolf Eyes. And it is a compliment to their art in as much as how it made me feel that night.
And if you have no idea what I am talking about, here is sample Wolf Eyes song (again, if you can call it that):
And here is a pic of the noise-maker with the world’s most awesome fanny pack.
2. Warpaint at Mission Creek Festival, Iowa City, IA: I watched this band under strange circumstances. I essentially thought it was the opening act until I found out otherwise the next day. I fell in love with their sound instantly – not having heard any of their songs before. This is the band that essentially introduced me to dream pop. A 4 piece all-female lineup with great bass sounds, haunting vocals and a sound that I had been seeking all my life without even knowing it. This is one of the few times you fall in love with a band after you hear their music for the first time – and that too in a live setting. Become a big fan of them since then and have their double LP on vinyl now!
Shout out to other Mission Creek acts including Circuit des Yeux (a one-woman project of something I cannot define but which I keep find crawling under my skin) and Earth (guitar drone, and then more guitar drone).
3. Eric Johnson at Wooly’s in Des Moines, IA: An hour and a half of great guitar work from one of the most well respected guitarists in the industry. Some of his songs brought back great memories of me sitting in my hostel room with His Holiness and my roommate and listening to Cliffs of Dover. I have never had much respect for guys like Yngwie Malmsteen who mostly just exhibit their shredding abilities. Sure that is a skill to admire but nothing ever comes out of it. Eric Johnson is at the other end of the argument – a man who CAN shred but does so when it makes the songs better. His focus is first on melody and harmony – not on showing off his skills. On stage, he was a very affable character who revealed that he was actually born in Iowa and that his grandma still lives here.
4. Mogwai at Wooly’s in Des Moines, IA: When my cousin first made me listen to Mogwai under certain ‘elevated’ conditions, I just hated the band. I didn’t want anything to do with it ever again. A year later, I gave the band one more chance and bought their ‘The Hawk is Howling’ album. Since then, there was no looking back. The sound of Post rock is pretty much epitomized by Mogwai. And so I was all smiles when I learnt they were going to be playing at Wooly’s. I particularly fell in love with their then latest album Rave Tapes and was listening to it on a loop for the longest time. No Medicine for Regret still stands as my personal favorite of the band’s entire catalog. They did not play that song at the concert but there was one moment of true inspiration that I will always remember. It came at about the 1 min mark when the song’s chorus (if you can call it that) just begins. I had listened to that song dozens of times by then. But that moment when the band reached that note LIVE and that transition into the chorus happened, I went into a different world. And I didn’t even need to be high. Of course, the highlight of the evening for me was ‘I am Jim Morrison, I am Dead.’ Very satisfying to see them Live.
5. Envy Corps at Wooly’s, (and 8035 Music Festival) Des Moines, IA: A Des Moines/Ames based band that you never have and would never hear of (unless you are reading this now). The lead singer would easily win the ‘Sounds Like Thom Yorke’ contest – even if Thom Yorke himself participated in it. The band’s It Culls You album is probably their best and deserve so much more credit than they are are currently getting. One of my best discoveries from last year. Ended up seeing them twice last year. Would do so again at the first opportunity.
6. Guided By Voices at Wooly’s, Des Moines, IA: I had never been to a punk concert before. And I was not familiar with the band either. But I decided to check it out. In the end, this was the longest concert (over 3 hours with 3 encores) I had ever been to. There is something authentic about a band with 50+ year old members play a straight up punk show with high energy – especially as the singer consumed a full bottle of Jack Daniel’s on stage during the show. It was probably the attitude that made it a good show. I will probably never invest in exploring the band as such but I was just glad I went to the show.
7. Cake at 8035 Festival, Des Moines, IA: When the lead singer of a band quotes from xkcd during the interlude of one of the songs, it is something worth remembering for a long, long time. But Cake’s John McCrea had the entire crowd in his complete control even without the help of xkcd. Performing the band’s songs – the equivalent of deadpan humor in movies – you could almost believe he was an evangelical leader preaching to a crowd of eager minds. ‘Sheep go to heaven, goats go to hell’ was perhaps the best example of this. This was perhaps the best portrayal of putting on a great show without having to try too hard.To me personally, the band’s best feature is the bassist and the way he incorporates bass lines with an appropriate groove to complement the rhythm of the songs. Perhaps, one of the other reasons I will remember this concert is because I got to hear a cover of War Pigs where the iconic guitar solo was played with the trumpet.
8. Ziggy Marley at 8035 Festival, Des Moines, IA: I have only listened to reggae music in passing. Always enjoyed it and found it very relaxing, but had never put in the effort to explore it any deeper. But I suppose I was sober all that time I listened to reggae (as pointed out by a good friend and a Ziggy concert veteran). So when Ziggy Marley played for an hour and a half on a hot summer day, I made sure I was sufficiently inebriated. And how glad I was to have been drunk then. So much so, that I now strongly believe that everyone on this planet should get drunk and/or high and attend a reggae concert as a matter of general principle. If it is not on your bucket list, it should be. And if you do not agree, I am OK if you are shot dead right now. In all seriousness, that hour and a half was the most carefree I have been in a long, long, long time. No worries, no concerns, no expectations, no obligations. For that hour and a half, everything was just right and I just knew that I was where I was supposed to be at that point in time. This is not even an exaggeration. I have been to many shows where the music has taken me places. This one just made me believe everything was awesome wherever I already was.
9. Conor Oberst at 8035 Festival, Des Moines, IA: The Ziggy Marley show was followed with Conor (of the Bright Eyes fame). And what a contrast it was. Nothing wrong with the show. Just that the sad and depressing music was in stark contrast with the I-feel-awesome music of Ziggy. Yes, I am a big fan of sad and depressing music, which is why I went into a profound gloom during his show. It was easy too – considering how drunk I was. Good show, I guess. But don’t remember it for the right reasons in hindsight.
10. Portugal. The Man at Brenton Skating Plaza, Des Moines, IA: It had been a while since I encountered an album that had me listening to it for months on end. But Portugal. The Man’s ‘Evil Friends’ filled that void. And that August night in East Village, I had one of the most memorable experiences at a concert in recent history. This concert went from being good to great for the most basic of reasons: great tunes, good performance, and sufficient inebriation. That was it. Songs that you could and wanted to sing along to, dance to, a crowd of people around you with the same intentions- all under the influence of sufficient amount of alcohol. That was all it took. The fact that the band started the show with a cover of Another Brick in the Wall Part 2 and ended the show with Baba O’Reilly ended up just as a bonus. This is a band that I will be following very very closely for the rest of my life (or their’s). And I cannot recommend Evil Friends enough. Special mention to the artwork on the album (I have even framed the album cover from my vinyl).
11. Grouplove at Brenton Skating Plaza, Des Moines, IA: Was not at all familiar with this band, but they were actually the main act when Portugal. The Man played. By the time PTM’s show was done, I was already at a point where everything else was a bonus. But Grouplove did not disappoint. Same ingredients: great tunes, catchy music, great to sing along to (if you knew the songs) and great to jump around or dance to – all with a crowd of fellow inebriated folks.
In part 2 I will be recollecting Fleetwood Mac (full lineup!), Handsome Family, King Crimson (!), CCR, Amon Amarath, Seun Kuti, St. Paul and the Broken Bones, Trombone Shorty, Pearl Jam, and Antemasque.
An often denied fact concerns the accumulation of stress during any vacation. Be it a trip to a national park, a visit to a big city, a hike through the woods, a road trip – vacations usually consist of stress filled days that are stitched together midst the experiences of visiting new places or hanging out with friends/family. A fair amount of planning has already gone into the vacation: we visit these places on day one, drive to here on day two, meetup with friends on day three hiking, camp and hike further on day four, drive back on day five, take flight back home on day six. Feel free to make up your own schedule. We all have.
We want to ‘cover’ as many places as we can jam into our schedule. Consequently, this ends up demanding a lot more effort in getting to those places and ‘covering’ them while we are there. We want to put up photographs on Facebook showing us at as many different locations as possible. We want to tick all those places off our bucket list – whether they are on it or not. Life is so short after all…..right?
Getting started on a vacation with an agenda is what most people do. There is a certain expectation of returns for all the investment you are putting into this vacation. This is not necessarily a bad thing. It helps us see the places we always wanted to see in a timely and economical fashion. But it is also important to recognize the role of the agenda in building up stress levels during any vacation.
And that is what I decided to avoid last week when I took a few days off work. No agenda, no expectations, no stress: the Dudeist-Vacation
I took a Wednesday off work and this is a list of things I did in Des Moines that day:
1. Spend 2 hours eating breakfast at Perkup Cafe
2. Cash checks.
3. Visit the library, read Dune for an hour and rent 5 audiobooks for my drive the next day.
4. Watch Chelsea draw with Galatasaray in the Champions League at the Royal Mile drinking beer and eating lunch.
5. Come back home and watch a couple of episodes of True Detective and listen to a couple of LPs.
There is not one item in the list that can be even remotely classified as ‘constructive’. It was one of the most awesome days in recent memory. A complete day of doing absolutely nothing that required me to acknowledge any stress at all. Just like The Dude lives.
This inspired me to extend the same thinking for the rest of my vacation. So when I reached Ann Arbor the next day, I had absolutely nothing on my mind that I wanted to do. Sure I wanted to see my friend successfully defend his PhD. But that was it. Other than that, I was just hanging out doing absolutely nothing.
I drove to Detroit on Saturday to visit a couple of my other good friends. The only agenda I had for that trip was to visit the Motown museum. Other than that, all I told my friend was that I wanted to drink some beer and buy some records. And that is exactly what I did: drink beer at a brewery and buy some records at a record store. To kill a couple of hours, my friend and I hung out at a coffee shop chatting. Then I ate dinner and went back to Ann Arbor. That was it. That was how I spent my only day in Detroit. Barely any agenda and still extremely satisfying.
My friend (now with a DR. before his name) and I then drove to Chicago because it is on my way back to Des Moines. And also because Chicago is awesome. It is an even more awesome place to do absolutely nothing and just hang out with no agenda. All I wanted to do was meet a friend, drink some beer, eat some deep dish pizza and buy some records. And that is what we did. Met a friend, drank some beer, ate deep dish pizza and bought a lot of records. We also celebrated his PhD at the Signature Lounge on top of Hancock tower with a glass of Glenmorangie on the rocks overlooking the night view of the entire city from up top. I stayed one more night and went to a downtown breakfast place in the morning and just sat there by myself for two hours doing absolutely nothing. And then I drove back to Des Moines. Never visited any tourist attraction, never did any sightseeing, and did not even look up any ‘things to do in Chicago’.
It was the best vacation I could have had under those circumstances. For a week, I did not even have to acknowledge the idea of stress – even minuscule amounts of it. There was nothing that could go wrong when you were doing absolutely nothing. And I was able to do that because I had absolutely no agenda set for my vacation. No expectations, no plans – just a whole bunch of doing nothing. More importantly, it was a whole bunch of doing nothing in different places – which is awesome.
After I came back, I realized that anytime I did absolutely nothing for extended periods of time is always awesome. You should try it too. It would be important to identify those particular activities you would want to do that do not require any set agenda whatsoever. To me, apparently, they include eating breakfast, drinking beer and buying records. It is just something that you do because you like it and you don’t care how it turns out. There is absolutely nothing at stake when you are doing these activities. Only you know what those activities are. And once you know what they are, you should just take a vacation doing those things – wherever you want to. For all I care, take a flight half way across the country to just sit at a coffee shop and do nothing for an entire day. (That would be an awesome idea by the way).
All in all, it is an extremely satisfying and fulfilling experience to just be able to do nothing and continue to live a normal life. Also, the very act of doing nothing for extended periods of time tells you that “nothing’s fucked!”. The Dude’s lifestyle is not just for a character in a Coen Brothers movie. It is an increasingly overlooked way of life for us every day men and women. Maybe we will never be able to live like The Dude every single day of our lives. But, at the very least, when we decide to take time off, we can remember to ask ourselves the question:
“What would The Dude do?”
And then decide to do absolutely nothing. Because it is always awesome to be The Dude.
PS: After this experience, I have decided to take a weekday off from work every 2-3 weeks and do absolutely nothing. I won’t be at home, but I intend to do absolutely nothing constructive the entire day. It is like my day of rest.
Hopefully I get to do this every year. 2012 was awesome. 2013 started off awesome but kinda tapered down towards the end. But it still had some phenomenal highlights. Here is a quick recap:
1. Grace Potter and the Nocturnals at Hoyt Sherman Place in Des Moines: So this officially made Grace Potter the band I had seen the most number of times Live at 3. And I will watch her live again and again and again. I still maintain that there is nobody else I have seen who can match her stage presence. Having said that, her concert at the Nitefall on the River series in 2012 had set the bar so high that it was never going to be matched again. Memorable experience for sure and I will donate my money without a blink of my eye to see her perform Live again. She really means it when she says that she performs every concert like it is her last.
2. Bosnian Rainbows at Fine Line Music Cafe in Minneapolis: After my good friend introduced me to the universe of Omar-Rodriguez Lopez, I was always going to go watch Bosnian Rainbows – his latest venture – in Minneapolis. Dude looks like he just got out of high school and he really gets into his music.
Terri Gender Bender knows how to put on a show and I loved the sound. Best part of the show was when – at the end – Omar thanked the crowd at the bar for coming out and supporting the band. He did that by speaking directly to the crowd instead of talking into the mic. Respect. Full Review here.
3. Sigur Ros at Starlight Theater in Kansas City: What can I say? I think the correct terminology is ‘a religious experience’ or ‘a spiritual experience’. I was going through a very gloomy stage of my life largely due to the never ending winter. It had taken a toll on me and I was barely surviving. And then when I watched them Live, it was close to being a life altering experience. It is one of those experiences when you reach a higher state of consciousness and you have an epiphany about your life. No need for any drugs, just the sadness in his voice is sufficient. As I wrote in my detailed recollection, “I do not know if I found the answer I was looking for. But I definitely found the answer I needed to know.”
4. Steven Wilson at Fine Line Music Cafe in Minneapolis: Having missed his previous two visits to the US (Blackfield and first solo tour), I had to make sure that I saw him Live this time around. Conveniently playing at Minneapolis over the weekend too. So pretty much a no brainer and everything else had to just wait. His latest album ‘The Raven…” is his best piece of work since Deadwing. Drive Home and The Watchmaker along with The Raven moved me close to tears. But the song I really was looking forward to and one that had grown on me was ‘Deform to form a Star’ from his earlier album.
Not disappointed. I ended up buying The Raven T-Shirt (the one with the spooky moon) and it has been one shirt that has attracted a lot of attention everywhere I went. No seriously, I have had a whole bunch of people come to me and talk to me about it everywhere I went.
5. Opeth with Katatonia at Wooly’s in Des Moines: Opeth was in Des Moines! Do you believe it?!?? It had been like ages since I had listened to Opeth. I had seen them Live at IITM a long ass time ago. But this time I was watching them in a significantly smaller venue – like all of 10 ft away and with a glass of Jameson in my hands. Always better with Jameson in my hands. He played Hessian Peel. That made my day. I will freely admit I had stopped listening to metal for a while by then. But Opeth with Katatonia in Des Moines?? Well, I just had to see them Live as a matter of general principle. Fully satisfied.
6. Fleetwood Mac at Wells Fargo Arena in Des Moines: This is a band I had wanted to see Live since high school. One of the few bands whose music connected to me at a very fundamental level. Stevie Nicks’ live voice is different than what it sounds on the albums. But then if I wanted to listen to her sound like she does on the album, I would just play the album. And that is what made the concert really good. The band just sounded different – with more of a live music feel. I think it is important that I fully attest to the fact that Lindsay Buckingham has an awesome awesome voice – and he is an extremely underrated guitar player. Mick Fleetwood is OLD. But I don’t think he knows that. Dude was drumming the shit out of every song – and THEN he decided to do a drum solo. Talk about passion. The only thing disappointing about the sound was John’s bass. It was barely audible. Extremely disappointing considering how much I grew up inspired by those basslines.
They played every single song I wanted them to. Of course there was no Christine, so they only played those that had Stevie/Lindsay on the vocals. Best surprise was when they played ‘Sisters on the moon’ and ‘Gold Dust Woman’! Did not see those coming at all!
Apart from the songs themselves, one aspect of the concert I truly admired was the genuine acknowledgement and appreciation the band members showed to the crowd for their continued support. It was the appreciation of a band that has been around for decades together, who have seen it all, who have everything they ever wanted, who have absolutely nothing left to prove to anybody, and who realize that after all these years they are only around because their fans want them to be around. Stevie Nicks spoke at length to the crowd before the last song actually explaining how she felt about all the support she has received from the band’s fans all through her career. Truly remarkable gesture from the band and the crowd knew it.
All in all, very very satisfying concert – more so because it was something I had pretty much given up on ever witnessing. Could have been even better if it wasn’t for that annoying 40 something woman in front of me who kept dancing like she had the entire place to herself – hitting people around her without as much as a sense of space. I get it – people enjoy music differently. But then, still, f*** you.
7. 80-35 Music Festival in Des Moines: This was 2 days of awesome fun. This was the first time that I truly experienced a music festival – everything it has to offer. I realized that music festivals are not about watching a lot of your favorite bands play in one place. It is more about just wandering around and finding a band that you had no idea about playing some wonderful music and being drawn to it. The festival was skewed more towards alternative and indie rock bands, but also included a few folk, acoustic bands and a bunch of DJs. Biggest discovery for me was Deerhunter, Yeasayers and Umphrey’s McGee. Deerhunter especially. Who knew I would just walk into some noise influenced band at a music festival in Des Moines? Always loved the summer atmosphere on display during the festival. Reminds me of why it is OK to live through the god forsaken winter.
8. Telescopes with LSD and the Search for God: This was right after the 8035 festival and it was all noise and shoegaze. As I wrote in my detailed recollection, as far as the sound goes, well, FUCK! I felt that I had finally got what I was unknowingly looking for all my life. That one sound that would just ‘hit the spot’. The Telescope’s noise and shoegaze hit the spot alright. And more importantly, it opened me up to a whole new set of bands and sounds. Perfect Noise and mindblowing Shoegaze. Special shout out to LSD and the Search for God. Awesome Stoner music.
9. Blue Oyster Cult at the Iowa State Fair in Des Moines: Free show at the State Fair! WoW! I didn’t know these guys were still even playing. The only day I was able to go the fair, I caught these guys playing all their hits – every one of them. Fuckin’ A!
10. Tame Impala and The National at Starlight Theater in Kansas City: The best album of 2013 as far as I have explored music is Tame Impala’s Lonerism. Finally a band that knows how to use the bass guitar. Tame Impala is the biggest discovery I have made in all of 2013 and I got to see them live. It was a short setlist – a little more than an hour – but they played most of their new album. You just got to check out their latest album.
The National was the main act but I had personally gone there to see Tame Impala. But clearly The National is awesome. The vocalist dude could sing one song in a haunting melancholic voice and the next he would be screaming like he was in a hardcore punk rock band. Great songs too.
So that was it. All the concerts I went to in 2013. 2014 has so far started off slow, but am looking forward to seeing Mogwai in Des Moines. I am also going to make an additional effort to visit the local smaller venues more frequently. After all, music is music. Where I discover it doesn’t make any difference.
I have been tested this time. I will admit that. It had been a while since I was made to go through something that demanded more than what I had been able to offer previously. Things that change me fundamentally, things that help me appreciate the subtleties of my thoughts that much more. I am talking about things like the will power to see off persisting gloom, the determination to not let something overwhelm me. I am talking about faith in times of complete hopelessness, resilience in times of defeat, and self assurance in times of haunting solitude – it had been a while since I dealt with them.
But I have had to do it again. This time, the painful ordeal lasted for 4 months and had me go through a circle of emotions I never knew existed. Four months during which I tracked my graceful descent into the bottomless depths of melancholia. Four months during which I had no ownership over the state of my mind. Four months during which I came that much closer to accepting who I really am.
I think it must have been November when it really started because I remember I was happy in October. The degradation of the weather and the shrinking of the days were seemingly on a malicious yet purposeful loop. The numbers kept up too – falling steadily and offering no sign of ceasing. It might have all been gradual, like darkness creeping up on a cloudy day. But it was heading only one way and there was no end in sight. Lady winter had just made it clear that there was no point looking for the bottom. There was never going to be one.
Denial: This is not happening to me.
Anger: Endless snowfall.
Depression: I hear my 2 year old cousin speak to me for the first time. Broken hearts. The price I pay. Not hearing back for several weeks from….
Acceptance: There really is no end.
The acceptance brought with it a sense of gloomy calm. A calm that revealed and reveled in the futility of hope. And there was something strangely satisfying about it. It was almost like I belonged there. No complaints or unfulfilled desires. Just a peace that comes with the true acceptance of complete loss of control.
Take me wherever you go.
And now I no longer wish to know.
For if I knew where you went
I would want perhaps to be somewhere else.
I was now celebrating tragedy and depression. Knowing now that it is OK to do so provided a clarity that had avoided me all my life after being told otherwise by every living soul. My mind now wanted something more profound and so I went about looking to satisfy my new needs. I found respite in books and music. A couple of depressing books and some really depressing music got me digging deeper, exploring the realms of the newly discovered rooms in my mind. But this time I was not falling into the bottomless abyss. I was going in search of it.
During my search, I wondered what it really meant to be ‘comfortably numb’. I think I did feel it a few days ago. I remember I was watching the snow falling endlessly and aimlessly on the barren trees covering them with it, listening to Kreng, had just finished reading ‘Snow’, and was reminiscing about all the things that could have been in my life. And it was at that point when I just smiled. It was such a beautiful thing to think about. All the missed opportunities, lost relationships, friends who have moved on without me, unfulfilled dreams, uncertainty about the future, and about that call that never came – it was simply the most beautiful collection of thoughts I had all winter.
I was always told to be happy. But by trying to do so, I realized that I was just running away from that one thing that made me ‘comfortably numb’.
Now I know not to run at all.
Note: I had initially written a post describing my travails of the Iowa winter which was made to look like it was a ‘fun’ thing that I could simply just laugh about in hindsight. The weather is back in the 50’s this week and I was already feeling ‘happier’. But then today certain events got me back to a more introspective state and hence this version of my story.